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Tomris Laffly

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Movies 온라인카지노추천 Shows
Blue Sun Palace (2024) 100% 3.5/4 “Tsang deepens the themes of her movie in unhurried doses, bringing to the surface the loneliness, isolation, and displacement of the remaining characters.” – RogerEbert.com Apr 25, 2025 Full Review The Wedding Banquet (2025) 88% 3.5/4 “A modern-day tale with an old-fashioned spirit, a joyous crowd-pleaser with the most romantic of hearts.” – RogerEbert.com Apr 17, 2025 Full Review I Really Love My Husband (2025) 92% “GG Hawkins’s debut has a refreshingly fluid approach to sexuality, but it sadly lacks humor and a sharp point-of-view towards domestic incompatibility.” – Variety Mar 17, 2025 Full Review For Worse (2025) 80% ““For Worse” might be a tiny step among its kind, but it still feels like a leap for its thoughtful auteur [Amy Landecker], ultimately celebrating new beginnings as an ageless milestone.” – Variety Mar 17, 2025 Full Review Riff Raff (2024) 59% 2/4 “There doesn’t seem to be a single original bone in this film’s body.” – RogerEbert.com Feb 28, 2025 Full Review Ex-Husbands (2023) 83% 3/4 “Pritzker navigates his compassionate tale empathetically, portraying a refreshingly kind, gentle, and soft side of masculinity through a group of characters all stuck inside a crossroads life has thrown at them.” – RogerEbert.com Feb 21, 2025 Full Review Life (2024) “Turkey’s Oscar submission loses the plot on toxic masculinity.” – Variety Feb 15, 2025 Full Review Lilly (2024) “Equal-pay activist and trailblazer Lilly Ledbetter deserves a much better film.” – Variety Feb 15, 2025 Full Review Autumn and the Black Jaguar (2024) 36% “Tackling big environmentalist issues like animal poaching, director Gilles de Maistre can’t transpose his good intentions into a good children’s film to root for.” – Variety Feb 15, 2025 Full Review All That's Left of You (2025) 100% “With a compassionate, observant look at generational trauma, the 'Amreeka' director's third feature is a meaningful contribution toward Palestinian narratives — but also an uneven one.” – Variety Feb 15, 2025 Full Review Bunnylovr (2025) 55% “Writer-director Katarina Zhu teases ideas about loneliness and identity in our increasingly virtual world in an underpowered debut. ” – Variety Feb 15, 2025 Full Review Coexistence, My Ass! (2025) 92% “Filmmaker Amber Fares observantly portrays Noam Shuster Eliassi's work with uproarious humor, heartrending moments and bold idealism.” – Variety Feb 15, 2025 Full Review Oh, Hi! (2025) 72% “Increasingly exhausting and contrived, Sophie Brooks’ contemporary 'situationship' comedy eventually runs out of steam.” – Variety Feb 15, 2025 Full Review The Ballad of Wallis Island (2025) 97% “Tim Key, Tom Basden and Carey Mulligan are a disarmingly delightful trio in a quirky and music-filled comedy set on picturesque Welsh shores. ” – Variety Feb 15, 2025 Full Review Opus (2025) 41% “Mark Anthony Green’s thriller about a music icon's sinister listening party delivers neither good songs, nor deep chills.” – Variety Feb 15, 2025 Full Review Suze (2023) 100% “Charlie Gillespie is a revelation in Linsey Stewart and Dane Clark’s warm empty-nester dramedy, which shares the spirit of a great Nicole Holofcener indie.” – Variety Feb 15, 2025 Full Review A Complete Unknown (2024) 82% A- “A Complete Unknown is an honest film that wants to get close to an enigma, maybe even unlock his mystery a little” – AV Club Dec 10, 2024 Full Review Maria (2024) 75% 3.5/4 “A perceptive performer who can sometimes be a tad cold-to-the-touch, Jolie gives her career-best performance.” – RogerEbert.com Dec 2, 2024 Full Review Bread & Roses (2023) 100% 3/4 “A vital account of present-day Afghanistan under the Taliban.” – RogerEbert.com Nov 22, 2024 Full Review Reading Lolita in Tehran (2024) “Riklis’ adaptation doesn’t always culminate in the grand emotions that Nafisi’s tale is made of. But it still lands as a respectable, aptly rebellious and deeply feminine exercise.” – Variety Oct 28, 2024 Full Review Blitz (2024) 81% A- “McQueen compassionately fashions [Blitz] with utmost humanity and a stirring sense of perseverance, building a resilient ecosystem of war-torn Londoners [through his] very own Dickensian brushstrokes.” – The Playlist Oct 9, 2024 Full Review Uglies (2024) 16% “Despite a committed young cast, director McG's unexciting franchise-starter doesn’t say anything all that meaningful about inner beauty and warped beauty standards.” – Variety Sep 13, 2024 Full Review Anora (2024) 93% 4/4 “Anora is boundlessly alive with a quality we’ve seen continually in the movies of Sean Baker, among the most humanist filmmakers working today. There is joy next to sadness. There is comedy inside a tragedy.” – RogerEbert.com Sep 11, 2024 Full Review The Front Room (2024) 41% “A mean-spirited hagsploitation movie, neither scary nor funny. “The Front Room” just puts your gag reflexes to test by humiliating an old body, and tries to get away with it by making the owner of that body an actually awful mother-in-law from hell.” – Variety Sep 6, 2024 Full Review Mistress Dispeller (2024) 100% “Modest, melancholic and strangely romantic, the 'Stray' director's new documentary portrays China’s booming 'love industry' through intimate character studies within a love triangle.” – Variety Sep 3, 2024 Full Review
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