In the Lost Lands (2025)
24%
3/ 5
“This cinematic escapade feels like a relic from an era when spectacle could mask shallow storytelling. While In the Lost Lands offers fleeting glimpses of brilliance and Bautista’s earnest performance is commendable...” –
Free Press Journal (India)
Mar 22, 2025
Full Review
Novocaine (2025)
81%
3.5/ 5
“The film manages to carve out a unique space in the action-comedy genre. It is violent, absurd, and oddly tender—a film that leaves its protagonist numb but ensures the audience feels every punch, cringe, and chuckle...” –
Free Press Journal (India)
Mar 22, 2025
Full Review
Locked (2025)
65%
3/5
“The script, written by Michael Arlen Ross, struggles to sustain the tension over its 95-minute runtime. What starts as a clever cat-and-mouse game soon turns repetitive, circling the same beats with diminishing returns.” –
Free Press Journal (India)
Mar 22, 2025
Full Review
Emilia Pérez (2024)
72%
3.5/5
“Emilia Pérez is a film that thrives on contradiction— grave yet surreal, profound yet playful. It is both an ambitious work of reinvention and a narrative balancing act that occasionally wobbles under its sheer complexity.” –
Free Press Journal (India)
Mar 10, 2025
Full Review
The Monkey (2025)
78%
3/5
“Perkins, fresh off the success of Longlegs, wields his darkly comic sensibilities like a scalpel, cutting between supernatural horror, macabre family drama, and outright farce. The film leans into absurdism, fashioning its deaths as punchlines rather than” –
Free Press Journal (India)
Mar 10, 2025
Full Review
Mickey 17 (2025)
77%
3/5
“Bong’s signature critique of capitalism, inequality, and human folly is ever-present but curiously toothless. Where Parasite was razor-sharp in its dissection of class structures, Mickey 17 leans on familiar dystopian tropes without adding much...” –
Free Press Journal (India)
Mar 10, 2025
Full Review
Conclave (2024)
93%
3.5/ 5
“The film spoon-feeds its ideological conflicts, ensuring no subtext remains unspoken. The result is a beautifully crafted but ultimately surface-level narrative—one that titillates more than it challenges.” –
Free Press Journal (India)
Feb 26, 2025
Full Review
Dhoom Dhaam (2025)
60%
2.5/ 5
“The film lacks both dhoom (explosive energy) and dhaam (substantial impact). It’s a film that flirts with thrills but never fully commits, dances around romance without setting the screen ablaze, and delivers action that’s more theatrical...” –
Free Press Journal (India)
Feb 26, 2025
Full Review
Captain America: Brave New World (2025)
48%
3/5
“While Anthony Mackie’s Sam Wilson confidently wields the shield, the movie struggles to carry its weight, landing somewhere between an ambitious political thriller and a standard superhero outing.” –
Free Press Journal (India)
Feb 26, 2025
Full Review
Babygirl (2024)
76%
3/ 5
“Anchored by a fearless Nicole Kidman, the film flutters between desire and control, but its refusal to embrace the messiness of either keeps it from delivering the gut punch it promises.” –
Free Press Journal (India)
Feb 26, 2025
Full Review
The Brutalist (2024)
93%
3.5
“Corbet’s directorial choices are unapologetically bold, from the film’s sweeping orchestral score to its arresting, near-mythic imagery. Yet for all its spectacle, the film is at its best in the quiet moments—the intensity of a gaze, the hesitation in ...” –
Free Press Journal (India)
Feb 26, 2025
Full Review
The Storyteller (2022)
3.5/ 5
“The film is an earnest, well-intentioned homage to Ray, storytelling, and the art of listening. Like Tarini’s tales, it meanders, digresses, and occasionally dazzles” –
Free Press Journal (India)
Feb 7, 2025
Full Review
Companion (2025)
93%
3.5/ 5
“Writer-director Drew Hancock in his feature debut, delivers a darkly comedic and thoroughly entertaining thriller that is as much a meditation on autonomy as it is a blood-spattered joyride through the pitfalls of artificial intelligence.” –
Free Press Journal (India)
Feb 7, 2025
Full Review
The Mehta Boys (2024)
100%
3.5/ 5
“The film is a commendable debut for Irani as a filmmaker. It captures the fragile, infuriating, and deeply human bond between fathers and sons with sincerity, making its bittersweet ending land with quiet grace” –
Free Press Journal (India)
Feb 7, 2025
Full Review
Hisaab Barabar (2024)
3.5/ 5
“This film is akin to an imperfect ledger—its calculations don’t always add up, but its intent is unmistakably honest. Despite its flaws, it’s worth giving this moral arithmetic a shot.” –
Free Press Journal (India)
Jan 31, 2025
Full Review
The Seed of the Sacred Fig (2024)
97%
4/5
“The Film is a poignant and timely exploration of power, trust, and repression. With its masterful direction, strong performances, and raw portrayal of Iran’s political climate, the film leaves a lasting impact, ” –
Free Press Journal (India)
Jan 31, 2025
Full Review
A Real Pain (2024)
96%
3.5/ 5
“Director Jesse Eisenberg masterfully navigates the treacherous terrain of historical trauma and familial dysfunction, balancing sardonic humour with piercing solemnity... The result is a film as uncomfortably awkward as it is disarmingly poignant.” –
Free Press Journal (India)
Jan 31, 2025
Full Review
Flight Risk (2025)
30%
2/5
“The film lives up to its name—not as a suspenseful ride, but as a gamble on whether audiences will stay invested. For those looking for edge-of-your-seat thrills, it’s better to skip this flight altogether” –
Free Press Journal (India)
Jan 31, 2025
Full Review
Nosferatu (2024)
84%
4/5
“The film’s triumph lies in its tone, balancing terror and tragedy. Avoiding camp, it crafts a slow-burning dread that culminates in a horrifying, heartbreaking finale. This Nosferatu transcends Dracula’s tale, becoming a meditation on desire, death, and..” –
Free Press Journal (India)
Jan 11, 2025
Full Review
Den of Thieves: Pantera (2025)
62%
2
“Writer-director Christian Gudegast’s attempt to meld the gritty cop drama with European heist glamour falls as flat as an overcooked soufflé.” –
Free Press Journal (India)
Jan 11, 2025
Full Review
Mufasa: The Lion King (2024)
56%
3/5
“A visually stunning, occasionally moving, and predictably safe addition to the Lion King universe, this prequel might make you nostalgic for the original—don’t expect it to dethrone it” –
Free Press Journal (India)
Jan 8, 2025
Full Review
Kraven the Hunter (2024)
15%
3/5
“Despite some entertaining moments, Kraven the Hunter feels like a predator that’s lost its edge—competent in parts but fundamentally lacking in purpose and personality” –
Free Press Journal (India)
Jan 8, 2025
Full Review
Sonic the Hedgehog 3 (2024)
85%
3/5
“The film is a high-octane, unapologetically goofy romp that doesn’t take itself too seriously” –
Free Press Journal (India)
Jan 8, 2025
Full Review
Girls Will Be Girls (2024)
100%
3.5/ 5
“he film doesn’t settle for easy answers. It’s a slow burn, richly textured and unapologetically messy, much like the process of growing up itself.” –
Free Press Journal (India)
Dec 20, 2024
Full Review
Yo Yo Honey Singh: Famous (2024)
2.5
“Overall, this film isn’t just a documentary; it’s a reclamation. It successfully showcases the man behind the beats. As an artist's confession and a celebration of survival, the film is flawed but fiercely personal—much like its protagonist.” –
Free Press Journal (India)
Dec 20, 2024
Full Review
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