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Uri Klein

Tomatometer-approved critic
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Reviews

Movies 온라인카지노추천 Shows
The Farewell (2019) 97% “Wang's film simmers on a low flame, which is also the source of its charm and the empathy it stirs.” – Haaretz Feb 12, 2020 Full Review 1917 (2019) 88% “The result is an unparalleled and impressive spectacle, to which the eyes are riveted.” – Haaretz Jan 7, 2020 Full Review A Rainy Day in New York (2019) 47% “If "A Rainy Day in New York" aspires to be a situation comedy, the situations lack any comical element. If it intends to be a romantic comedy, the blend of the comic and the romantic seems forced and lacks any stable basis in the script.” – Haaretz Oct 16, 2019 Full Review After the Wedding (2019) 45% “This is the second time we've watched this cinematic wedding and followed its aftermath, and if Freundlich's film conveys a message of any sort, it's that twice is sometimes once too many.” – Haaretz Oct 7, 2019 Full Review Downton Abbey (2019) 84% “It's not a disgrace compared to the series, but it doesn't empower the television version or add anything to it. It's superfluous.” – Haaretz Sep 17, 2019 Full Review Pain and Glory (2019) 96% “"Pain and Glory" is a lovely, moving and compelling work, like every Almodovar picture.” – Haaretz Aug 13, 2019 Full Review Yesterday (2019) 63% “[I]t all seems truly unnecessary.” – Haaretz Jul 5, 2019 Full Review Extremely Wicked, Shockingly Evil and Vile (2019) 54% “[The film] is not directed very skillfully. One problem is that Berlinger uses too many songs on the soundtrack, to represent the period of the narrative. Still, the film works as a kind of existential allegory centering on a monster who exudes charisma.” – Haaretz Jun 1, 2019 Full Review The Favourite (2018) 93% “In short, for the first time, a Lanthimos film brought me sheer enjoyment.” – Haaretz Feb 8, 2019 Full Review Green Book (2018) 77% “The occupation with racism in 1960s America is translated in the movie into simplistic, sentimental kitsch, which creates for present-day America a reactionary white fantasy.” – Haaretz Jan 29, 2019 Full Review The Silent Revolution (2018) 90% “What is the source of the romanticization and nostalgia? ...It is a longing that is especially evident in mainstream films like "The Silent Revolution," for simpler days, when it was possible to distinguish between the good guys and the bad guys.” – Haaretz Jan 23, 2019 Full Review Mary Poppins Returns (2018) 79% “"Mary Poppins Returns" is one of those contemporary films that attack us with weightiness instead of wrapping us in warmth.” – Haaretz Dec 21, 2018 Full Review First Man (2018) 87% “The film is a demanding but praiseworthy experience.” – Haaretz Oct 23, 2018 Full Review Transit (2018) 94% “What Petzold does in "Transit" is one of the most radical actions in the history of the link between cinema and memory of the war and the Holocaust; it relates to the connection and the confrontation between time and place.” – Haaretz Sep 27, 2018 Full Review What Will People Say (2017) 78% “[Haq] presents the story in a formulaic, tendentious manner, not allowing its human and ideological complexities to shine through.” – Haaretz Sep 17, 2018 Full Review BlacKkKlansman (2018) 96% “[BlacKkKlansman] contains both comic aspects and references to buddy movies, but its power derives from the way they are interwoven with a broad sweep of thematic and emotional elements Lee introduces, for the most part successfully.” – Haaretz Aug 14, 2018 Full Review Frances Ha (2012) 92% “Part of the success of "Frances Ha" is due to Greta Gerwig's portrayal of Frances. Despite an occasional lapse into mannerisms...her performance is precise, and some kind of inner light shines through her occasionally clumsy physical presence.” – Haaretz Jun 18, 2018 Full Review Disobedience (2017) 84% “The allusiveness of "Disobedience" becomes the springboard for the conceptual and emotional ambivalence that invigorates the film.” – Haaretz Jun 13, 2018 Full Review A Letter From London (2018) “A Letter from London proceeds chronologically but does not add up to more than a story told step by step without addressing its complexity in a historically and ideologically challenging manner.” – Haaretz Apr 6, 2018 Full Review Some Like It Veiled (2017) “The result is a feeling of missed opportunity, tinged with embarrassment.” – Haaretz Mar 15, 2018 Full Review A Fantastic Woman (2017) 94% “"A Fantastic Woman" is above all the story of a woman who loves, loses her love and fights for the universal human right to experience her loss and mourn for it, so that she will be able to get on with her life.” – Haaretz Mar 8, 2018 Full Review Phantom Thread (2017) 91% “It's impossible to take your eyes off the screen in Phantom Thread, a masterful work with a core both dark and romantic.” – Haaretz Feb 16, 2018 Full Review The Post (2017) 88% “The adventurous tone is what makes the result fun to watch, but it also makes us realize that if this were only an adventure story, we would not need to be quite so worried.” – Haaretz Jan 17, 2018 Full Review American Sniper (2014) 72% “Because of the way Eastwood crafts his hero and because of that hero's place in the overall work, the result, while nationalistic, does not romanticize patriotism. I can't remember another American movie that managed to avoid doing that so successfully.” – Haaretz Jan 12, 2018 Full Review Fifty Shades of Grey (2015) 25% “It's superficial, it's manipulative, it's off-putting and embarrassing. But there's no denying that this says something about the moment in which the book was published and the movie released.” – Haaretz Jan 12, 2018 Full Review
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