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Wes Greene

Wes Greene's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
At Long Last Love (1975) 23% 3.5/5 “Bogdanovich’s mischievous self-awareness, aside from a few moments when characters comment on others singing aloud, never gets the best of him. ” – Slant Magazine Mar 15, 2025 Full Review The Nature of Love (2023) 92% 3/4 “The Nature of Love engages with the stylings and bubbly tonality of the classic rom-com in ironic fashion, along the way exploring complex aspects of human behavior.” – Slant Magazine Jun 30, 2024 Full Review The Tuba Thieves (2023) 90% 3/4 “Alison O’Daniel uses the real-life tuba thefts as a springboard to explore, and in artistically fertile ways, how the removal of an integral part of a structure affects the larger whole.” – Slant Magazine Mar 9, 2024 Full Review The Seeding (2023) 56% “Ironically for a film that unfolds almost entirely in a single, contained location, The Seeding is all over the place.” – Slant Magazine Jan 20, 2024 Full Review The Stones and Brian Jones (2023) 92% 3/4 “Via the film’s juxtaposition between footage of Jones performing in front of fawning crowds with the dark personal stories of those who knew him best, Nick Broomfield bitingly undercuts the rock star’s veneer of public adoration.” – Slant Magazine Nov 12, 2023 Full Review Madeleine Collins (2021) 92% 3/4 “Seemingly channeling the spirit of Claude Chabrol, Antoine Barraud’s Madeleine Collins is a decidedly classy throwback thriller about a seemingly humdrum character committing perverse acts of subterfuge against others.” – Slant Magazine Aug 13, 2023 Full Review Dreamin' Wild (2022) 90% 3/4 “The elegantly underplayed performances ensure that the film never succumbs to melodrama.” – Slant Magazine Jul 30, 2023 Full Review War Pony (2022) 93% 2/4 “The filmmakers never effectively detail the characters’ relation to the various cultural, psychological, or historical intricacies of their milieu.” – Slant Magazine Jul 23, 2023 Full Review Users (2021) 56% 3.5/4 “The film’s triumph is keeping us on our toes by sending us into an ether where fear and wonder live hand in hand.” – Slant Magazine Jun 4, 2023 Full Review Falcon Lake (2022) 94% 2/4 “The inadvertent effect of the oppressive, almost overbearing gloom that shrouds Falcon Lake is that it manages to sap the life out of its initially carefree depiction of young people’s emotional lives.” – Slant Magazine May 28, 2023 Full Review Monica (2022) 84% 3/4 “Monica is an unsentimental exploration of its main character’s search for personal fulfillment through human connection.” – Slant Magazine May 7, 2023 Full Review Dry Ground Burning (2022) 100% 3.5/4 “The film surprises by revealing deeper layers to both its subjects and social commentary.” – Slant Magazine Apr 16, 2023 Full Review Sansón and Me (2022) 92% 2.5/4 “Sansón and Me has a way of frustratingly pulling focus away from its ostensible subject.” – Slant Magazine Feb 27, 2023 Full Review Huesera: The Bone Woman (2022) 97% 3/4 “The film is a sensitive character study disguised as an unnerving exercise in body horror.” – Slant Magazine Feb 6, 2023 Full Review Baby Ruby (2022) 67% 1/4 “The film’s depiction of the fear and uncertainty of motherhood gives in to monotony.” – Slant Magazine Jan 30, 2023 Full Review The Menu (2022) 88% 2/4 “For as potent as the film’s shocks can be in the moment, it’s difficult to shake off that the screenplay lacks for the breadth of variety that’s necessary to make more than just a restaurant’s tasting menu take flight.” – Slant Magazine Nov 13, 2022 Full Review Catherine Called Birdy (2022) 89% 1.5/4 “In simplistic and self-congratulatory fashion, the film renders its main character as a sort of feminist crusader who undermines the sexist traditions of her time.” – Slant Magazine Sep 17, 2022 Full Review Emily the Criminal (2022) 94% 2.5/4 “The film may not suffer from didacticism, but it’s at its most volcanic when it promises to blossom into a study of a generation’s financial difficulties.” – Slant Magazine Aug 7, 2022 Full Review Bullet Train (2022) 53% 3/4 “David Leitch’s film pulls off the notable feat of making human beings out of cartoonishly violent psychopaths.” – Slant Magazine Aug 2, 2022 Full Review Gone in the Night (2022) 44% 2.5/4 “The film’s ominous atmosphere derives less from the mystery of a disappearance and more from the scary business of getting older.” – Slant Magazine Jul 11, 2022 Full Review Good Luck to You, Leo Grande (2022) 94% 2.5/4 “The film abounds in honest and at times disarmingly off-the-cuff moments that are borne out of character contrasts.” – Slant Magazine Jun 12, 2022 Full Review The Phantom of the Open (2021) 86% 2/4 “The film loses its satiric edge as it begins to melodramatically detail how Maurice Flitcroft inherited the mantle of folk hero.” – Slant Magazine May 29, 2022 Full Review Human Factors (2021) 69% 3/4 “Despite the mystery of the home invasion becoming increasingly tangential, Human Factors remains a compelling puzzle-box.” – Slant Magazine May 1, 2022 Full Review The Innocents (2021) 97% 2/4 “The Innocents adopts a slasher-esque vibe that, however airlessly aestheticized, feels lurid for the sake of being lurid.” – Slant Magazine Apr 20, 2022 Full Review Gagarine (2020) 95% 2.5/4 “The film is at its most effective and engaging when simply capturing the vibrancy of a world onto its own.” – Slant Magazine Mar 28, 2022 Full Review
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