Whang Yee Ling
Whang Yee Ling's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Above the Dust (2024)
4/5
“ Renegade auteur Wang tills blood-stained history for a tragic tale on rural displacement.” –
The Straits Times (Singapore)
Apr 25, 2025
Full Review
Until Dawn (2025)
53%
2/5
“The violent jump scares barely scare. This sandbox of tropes is about nothing more than the film-makers’ love for the genre and their facility with references.” –
The Straits Times (Singapore)
Apr 25, 2025
Full Review
September 5 (2024)
93%
4/5
“The actors are outstanding. They bring pressing gravity to their courageous, fallible characters’ every decision between moral probity and professional duty.” –
The Straits Times (Singapore)
Apr 17, 2025
Full Review
Daniela Forever (2024)
83%
3/5
“Golding is clever casting.” –
The Straits Times (Singapore)
Apr 17, 2025
Full Review
Seven Veils (2023)
77%
4/5
“Seyfried brings operatic ardour to a layered tale of female desire and sexual violence.” –
The Straits Times (Singapore)
Apr 10, 2025
Full Review
G20 (2025)
59%
3/5
“Not since Air Force One's (1997) Harrison Ford has a state leader been this exciting.” –
The Straits Times (Singapore)
Apr 10, 2025
Full Review
The Uniform (2024)
3/5
“The characters are perfectly cast and believably rendered.” –
The Straits Times (Singapore)
Apr 7, 2025
Full Review
Here (2024)
37%
3/5
“The experience played out is inert and mawkish, and the movie is in the end mainly a technical experiment: a film of a book that traps the quality cast in a stage act.” –
The Straits Times (Singapore)
Apr 3, 2025
Full Review
Holland (2025)
21%
3/5
“This satire of suburban nightmare is more like a nap, lacking purpose and tension.” –
The Straits Times (Singapore)
Mar 28, 2025
Full Review
A Working Man (2025)
49%
3/5
“The Stath continues his brand of low-brow entertainment while making the world a safer place.” –
The Straits Times (Singapore)
Mar 28, 2025
Full Review
The Electric State (2025)
15%
2/5
“A pointless science-fiction spectacle at its most mechanical.” –
The Straits Times (Singapore)
Mar 20, 2025
Full Review
Presence (2024)
88%
4/5
“The performances are top-notch, and more unsettling than the paranormal disturbances is the sense of impending tragedy in a very sad domestic drama.” –
The Straits Times (Singapore)
Mar 20, 2025
Full Review
The Day the Earth Blew Up: A Looney Tunes Movie (2024)
88%
4/5
“Old is truly gold with this legacy cartoon. It has screwball hilarity and deep love for the timeless characters.” –
The Straits Times (Singapore)
Mar 12, 2025
Full Review
The Last Showgirl (2024)
83%
3/5
“Anderson gives her all, but still, her starring vehicle is a skimpy affair.” –
The Straits Times (Singapore)
Mar 12, 2025
Full Review
In the Lost Lands (2025)
24%
2/5
“In a better movie, the fierce rebel maiden was called Furiosa, and her male companion, Mad Max.” –
The Straits Times (Singapore)
Mar 5, 2025
Full Review
Papa (2024)
4/5
“Lau is shattering, heading an excellent ensemble in a wrenching story of a family destroyed by a violent act.” –
The Straits Times (Singapore)
Mar 5, 2025
Full Review
The Monkey (2025)
78%
2/5
“The movie has no build-up nor payoff, much less any interest in the characters. It is a repetitive string of shock-value creative kills, cartoonishly gory, and as arbitrary and meaningless as death itself except without the emotional toll.” –
The Straits Times (Singapore)
Feb 26, 2025
Full Review
A Complete Unknown (2024)
82%
4/5
“The troubadour remains ever elusive, but his mystique and music captivate through Chalamet’s bravura performance.” –
The Straits Times (Singapore)
Feb 26, 2025
Full Review
Broken Rage (2024)
86%
3/5
“For Kitano, humour and violence have always been inextricable, and the insouciant self-parody is as much the 78-year-old’s late-career summation of his dual personality.” –
The Straits Times (Singapore)
Feb 19, 2025
Full Review
Maria (2024)
75%
3/5
“This psychodrama on opera’s prima donna compensates with arty aesthetics.” –
The Straits Times (Singapore)
Feb 19, 2025
Full Review
The Flood (2024)
3/5
“With empathy and stirring performances, the revisionist drama restores the humanity to two of history’s most reviled figures.” –
The Straits Times (Singapore)
Feb 12, 2025
Full Review
Dark Nuns (2025)
50%
2/5
“At stake amid the monotonous proceedings is not only an innocent soul, but also the viewer’s patience.” –
The Straits Times (Singapore)
Feb 12, 2025
Full Review
You're Cordially Invited (2025)
48%
3/5
“It is broad and chaotic until its slushy messages about family bonding, falling in love and letting go, but it has big names for a straight-to-streaming trifle designed for nothing more than undemanding home viewing.” –
The Straits Times (Singapore)
Feb 5, 2025
Full Review
Companion (2025)
93%
4/5
“It is a darkly hilarious, outrageously entertaining satire on the abusive relationships of entitled misogynists like Josh, who uses and manipulates his women.” –
The Straits Times (Singapore)
Feb 5, 2025
Full Review
Nightbitch (2024)
59%
3/5
“Adams is predictably good in her emotional honesty, even in a story meagre on the bones.” –
The Straits Times (Singapore)
Jan 28, 2025
Full Review
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