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Yonca Talu

Yonca Talu's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
Little Joe (2019) 66% “Hausner aims to convince us that the open-endedness at stake is a productive one, but it's difficult to shake the feeling of having been deceived and manipulated by Little Joe when the closing credits roll.” – Film Comment Magazine Jan 31, 2020 Full Review The Wild Pear Tree (2018) 94% “Recalling the metaphorical lyricism of Ceylan's early films, this is a rare moment where the director trusts ambience over prose.” – Film Comment Magazine Mar 21, 2019 Full Review Ismael's Ghosts (2017) 51% “Arnaud Desplechin's frenetic follow-up to the ethereal and sensitive coming-of-age romance My Golden Days (2015) represents as much a deliberate revival of the idiosyncratic French auteur's cinematic obsessions as a liberating move away from them.” – Film Comment Magazine Mar 8, 2018 Full Review Happy End (2017) 69% “A potent director's inevitable self-pastiche, Happy End suffers from the absence of Haneke's usual quest for humanity within perversion.” – Film Comment Magazine Jan 3, 2018 Full Review Glory (2016) 94% “Directing duo Kristina Grozeva and Petar Valchanov's witty and ingeniously crafted follow-up to The Lesson (2014) is a snapshot of a contemporary Bulgaria plagued by injustice and corruption.” – Film Comment Magazine Mar 7, 2017 Full Review The Son of Joseph (2016) 93% “But it is precisely the clarity of expression achieved through simplification that makes for the mystifying beauty of Green's film. His approach to composition and staging, deeply informed by Baroque art, rests on a clash between harmony and movement” – Film Comment Magazine Jan 3, 2017 Full Review Aquarius (2016) 97% “Achieving an uncanny blend of fragile serenity and ferocious intensity, Braga embodies a woman of all seasons: a poised and affectionate grandmother as much as she is a ruthless and sultry warrior.” – Film Comment Magazine Sep 26, 2016 Full Review The Apostate (2015) 79% “Working within a tradition of heightened, impressionistic satire, Veiroj demonstrates a rare aptitude for depicting his distraught protagonist's emotional world.” – Film Comment Magazine Sep 26, 2016 Full Review Summertime (2015) 92% “The juxtaposition of pulsating Paris with the static and reactionary countryside yields a compelling metaphor for Delphine's moral conundrum...What's frustrating about Summertime is its sometimes overly didactic tone.” – Film Comment Magazine Sep 6, 2016 Full Review Back Home (2015) 73% “There is beauty to be found in this solemn tribute, but such dignified souls deserve deeper exploration.” – Film Comment Magazine Mar 17, 2016 Full Review The Lobster (2015) 88% “In this half-mythical, half-surrealistic portrait of an innocent Everyman's confrontation with a cold-blooded system, Lanthimos achieves a level of audience identification that his previous films had failed to bring about.” – Film Comment Magazine Mar 17, 2016 Full Review The Club (2015) 88% “In a film permeated by a sense of doom, Larraín's expressionistic use of lens distortion entraps the characters, suggesting that there is no place to hide when the truth erupts like vomit.” – Film Comment Magazine Jan 4, 2016 Full Review Mustang (2015) 97% 4/5 “Ergven films their blossoming bodies with the same unyielding energy and liberates her narrative-a skillful blend of tragedy and fable-from genre constraints, crafting her own brand of magical realism instead.” – Film Comment Magazine Nov 4, 2015 Full Review Breathe (2014) 93% “[A]s the two friends' relationship begins to deteriorate, Laurent's carefully weighed naturalism awkwardly takes on the trappings of a horror film.” – Film Comment Magazine Sep 14, 2015 Full Review N-Capace (2015) “At any rate, N-Capace is not a danse macabre; on the contrary, it embodies more of a celebratory spirit.” – Film Comment Magazine Jun 11, 2015 Full Review
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