How are the mighty scattered, fallen and lost.

| May 15, 2015

I guess one out of three ain't bad.

| Jul 31, 2007

Anthologies by their inherent nature tend to be highly uneven. And Eros proves no exception, with the individual sections ranging from the sublime to the ridiculous.

| Original Score: 3/5 | Oct 10, 2006

An excruciating festival of middlebrow good taste.

| Original Score: 2/5 | Sep 23, 2006

Three smart filmmakers produce three whiffs on the theme of love.

| Feb 9, 2006

The auteurist feast turns out to be a paltry spread, with one director on autopilot, another playing it safe, and the last apparently working on assignment for the European Red Shoe Diaries.

Full Review | Sep 26, 2005

It is fairly melancholy news that the works of two of Antonioni's admirers outshine the master's segment.

Full Review | Jul 8, 2005

Eros comes nowhere near meeting the challenge of its title when compared to the increasingly lewd standards of our current cinema.

| Apr 28, 2005

A triptych only a film festival could love.

Full Review | Apr 14, 2005

It's really interesting stuff.

Full Review | Apr 11, 2005

A collection of bagatelles that, with one exception, fails to live up to its promise.

| Apr 8, 2005

The three films are watchable but resolutely minor works, though each has something to recommend it.

| Original Score: 2/4 | Apr 8, 2005

All the stories deal with sex, all three segments tend to photograph their leading actors unflatteringly and all three reveal prominent writer-directors at low ebb.

Full Review | Apr 8, 2005

A flaccidly pretentious and snooze-inducing trilogy of allegedly racy tales.

Full Review | Original Score: 1/4 | Apr 8, 2005

When the producers of Eros... described what they wanted from Hong Kong director Wong Kar Wai, American Steven Soderbergh and Italian master Michelangelo Antonioni, they must have written the memo in Chinese.

Full Review | Original Score: 2/4 | Apr 8, 2005

I return to Wong Kar-Wai's The Hand. It stays with me. The characters expand in my memory and imagination. I feel empathy for both of them.

| Apr 8, 2005

Arranged in order of descending success.

| Original Score: 2.5/5 | Apr 7, 2005

A trilogy of short films by Wong Kar-Wai, Steven Soderbergh and Michelangelo Antonioni dealing, sometimes obliquely, sometimes more directly, with sex.

| Original Score: 2.5/5 | Apr 7, 2005

Becomes steadily worse as it goes along.

| Apr 7, 2005

Wong's is the sexiest, Soderbergh's the funniest, Antonioni's the most Italian.

Full Review | Original Score: 2.5/4 | Apr 7, 2005