should be edited down to a 5-minute promotional trailer

| Original Score: D | Jul 1, 2011

Full Review | Original Score: 2/5 | Nov 30, 2007

Full Review | Original Score: 1/5 | Jul 3, 2005

Full Review | Original Score: 4/4 | May 20, 2003

Those looking for a light and decidedly untraditional comedy will find some smart and witty exchanges within; those who consider Adam Sandler an underrated genius may be bored stiff.

Full Review | Original Score: 76/100 | Dec 28, 2002

Henry Jaglom's lighthearted satire of Hollywood wheeler-dealers goes as far as the director is willing to bite...

| Original Score: C | Oct 9, 2002

This is impressively carried off by a fine cast, particularly the luminous Aimee and Greta Scacchi whose career has intriguing parallels with those of the character she plays.

| Jul 26, 2002

Jaglom ... put[s] the audience in the privileged position of eavesdropping on his characters

Full Review | Original Score: A | Jul 26, 2002

In the end, we don't see enough of Cannes and maybe too much of Kaz. But you have to accept or reject Jaglom as you might a walk on the Croisette, taking the bitter with the sweet.

Full Review | Original Score: 2.5/4 | Jul 20, 2002

A picture as charmingly insubstantial as the world it invokes.

| Original Score: 2.5/4 | Jul 12, 2002

The seaside splendor and shallow, beautiful people are nice to look at while you wait for the story to get going.

Full Review | Original Score: 3/5 | Jul 1, 2002

The cast is so low-wattage that none of the characters comes off as big ... and the setting remains indistinct.

Full Review | Original Score: 1/4 | May 30, 2002

Jaglom's latest is his most mature work to date, one with fresh insights into the people who decide what we experience at our cineplexes.

| Apr 25, 2002

At its best ... Festival in Cannes bubbles with the excitement of the festival in Cannes.

Full Review | Original Score: 3/5 | Apr 25, 2002

A witty, trenchant, wildly unsentimental but flawed look at the ins and outs of modern moviemaking.

| Original Score: 3/4 | Apr 19, 2002

May be Jaglom at his most self-serving and self-righteous.

| Original Score: 2/4 | Apr 19, 2002

Jaglom offers the none-too-original premise that everyone involved with moviemaking is a con artist and a liar.

| Original Score: 2/4 | Apr 19, 2002

The kind of sweet-and-sour insider movie that film buffs will eat up like so much gelati.

| Original Score: 3/4 | Apr 14, 2002

The actors are simply too good, and the story too intriguing, for technical flaws to get in the way.

Full Review | Original Score: 3/4 | Apr 12, 2002

One of [Jaglom's] better efforts -- a wry and sometime bitter movie about love.

| Original Score: 3/4 | Apr 12, 2002