| Original Score: 4/5 | Dec 30, 2006

What sets Jump Tomorrow apart is its sensibility.

| Original Score: 3.5/4 | Oct 29, 2006

| Original Score: 3.5/5 | Dec 6, 2005

Full Review | Original Score: 2/5 | Aug 10, 2005

A formulaic road film (about finding oneself) with some possibility of being unpredictable until its predictable sweet ending.

| Original Score: C+ | Jul 25, 2005

Fresh points of view and lovable characters make Jump Tomorrow more than just a formula romance.

| Original Score: 3/4 | Mar 11, 2003

George is one of the great characters in recent memory and, along with the comedy of Gerard and the free-spiritedness of Alicia, the film works on almost all levels.

| Original Score: 3.5/5 | Dec 8, 2002

| Original Score: 5/5 | Oct 30, 2002

These are just stock characters without an original thought in their heads.

| Oct 21, 2002

This unpretentious, entertaining little comedy of culture clashes marks a solid feature debut for British writer/director Joel Hopkins.

| Original Score: 3.5/5 | Nov 7, 2001

Though the lackadaisical style becomes tiresome after a while, the film is ultimately held together by star-in- the-making Adebimpe.

| Original Score: 3/5 | Nov 3, 2001

Sweet-natured and goofy and funny in all the right places.

Full Review | Sep 27, 2001

If Jump Tomorrow is any barometer, [Hopkins] should have a bright future.

Full Review | Sep 13, 2001

The characters are vivid and endearing.

Full Review | Sep 7, 2001

I loved Jump Tomorrow ... for a heart that beats with wisdom and warmth and nary a trace of contrivance or sticky manipulation.

| Sep 4, 2001

A sweet little oddity that ultimately leaves you -- and George -- with a smile.

| Aug 31, 2001

One of those stories where two opposites meet and learn important lessons from each other, but it doesn't feel like a lesson movie.

Full Review | Aug 23, 2001

If you can't walk away from this film with a smile on your face, you'd better keep right on walking to your shrink's office.

Full Review | Aug 12, 2001

Hopkins' whimsical, breezy visual style and light touches carry much of the movie.

| Aug 9, 2001

The film takes its multiethnic casting for granted, and the earnest Adebimpe gives the comically pleasing impression of a man uncomfortable in his own skin.

Full Review | Aug 9, 2001