| Original Score: 4/5 | Dec 6, 2005

| Original Score: 3/5 | Dec 6, 2005

Full Review | Original Score: 2/5 | Aug 14, 2005

| Original Score: 6/10 | Jun 19, 2003

| Original Score: 4/5 | Mar 10, 2003

| Original Score: 4/5 | Dec 8, 2002

| Original Score: 3/5 | Dec 8, 2002

Além da bela fotografia de Breno Silveira e da soberba trilha sonora de Gilberto Gil, 'Eu, Tu, Eles' ainda traz atuações realmente inesquecíveis de todo o elenco.

| Original Score: 5/5 | May 31, 2002

One might argue that "Me You Them" could perhaps use a small infusion of M온라인카지노추천-style editing but this director trusts the material to unfold at the pace it requires.

| Original Score: 3.5/5 | Dec 21, 2001

Full Review | Original Score: 78/100 | Sep 17, 2001

Excellent performances, combined with deft direction make this one to watch.

| Original Score: 3/5 | Aug 10, 2001

The performances are charming and natural enough to draw you into this peculiar love quadrangle.

| Original Score: 3/5 | Aug 6, 2001

Warm and bright and colorful, a real charmer as easy to inhabit as Casé slips into her character.

| Jul 27, 2001

Credit director Andrucha Waddington and writer Elena Soarez for keeping it out of the sex-farce genre.

| Original Score: B- | Jun 14, 2001

As filmmakers continue to run out of 'original' stories to tell, it's becoming abundantly clear that there's a simple solution to the problem -- tell more 'real' or 'true' stories.

| May 25, 2001

[Case's] dazzling smile and surprising physical grace make Darlene into a primal force in the lives of these three men.

Full Review | May 12, 2001

If people in the movies are going to live in dirty shacks without plumbing or senses of humor, they better do something compelling to hold my interest.

| Apr 19, 2001

It has been made and acted with intelligence and evident love, which deserves to be requited.

Full Review | Apr 16, 2001

The big screen hasn't shown us a more earthy, commanding woman since Italy's iconic Anna Magnani made her stand.

Full Review | Original Score: 3/4 | Apr 9, 2001

Full of long stretches with no dialogue, giving the film a very high nod-off factor.

Full Review | Apr 9, 2001