Nohing new under the sun.

A good drama with a great soundtrack, about a degrading cycle of semi optimistic dread, suffered by a few laid off workers of a shipyard. Who are forced to confront the same dilemma again and again. Whether the injustice of their lingering state, stems from their own ineptitude and pride or is it the system, that has it in for them. The film never gives answers to these questions and never tries to move away from their perspective. Hens, some might find the movie really senseless, since nothing really happens. To state the obvious, that's the point. They are trapped in economic conditions and stopped being viable employees or simply don't want to compromise, like Santa, played masterfully by Javier Bardem. Doomed to wither away in the sun, not even knowing what day it is.

Not bad, but way too long.

Excellent portrayal of modern day working class and the effects of globalization on their lives. This film is reminiscent of Italian Social Realist school of the 1950s. Javier Bardem's performance is as riveting as his physical presence.

Muy por encima de la media nacional, pero aun asi necesita conectar mas con el espectador al que intenta que se identifique, concluyendo algo valido y con mas forma, o de lo contrario, es mejor abandonarse a la comedia.

Los Lunes al Sol (Fernando Leon de Aranoa, 2002) I don't remember who it was that told me, or where I read, nine or ten years ago, that Los Lunes al Sol (in English, Mondays in the Sun) is a comedy. I want to find that person and hit him in the teeth. Not only is this movie not a comedy, it is one of the most relentlessly depressing movies I have ever had the displeasure of sitting through. Which is not to say it is not a good film; it is quite a good film indeed. I believe, however, the depression factor is ultimately to the film's detriment; it struck me while watching that this is a film that requires multiple viewings to truly appreciate, and I cannot for the life of me imagine a time where I would have a strong desire to watch it again, despite its merits. Plot: There isn't one, really, to this slice-of-life drama: six friends, longtime stevedores, lost their jobs at the dockyard three years ago. Of them, only Rico (Balade Triste de Trompeta's Joaquín Climent) has managed to make something of himselfâ"he took his savings and opened a bar across from the now-shuttered dockyeard, where the other five members of the group drink for free. There's Santa (Before Night Falls' Javier Bardem), a foulmouthed cynic and the unofficial leader of the group, always looking for under-the-table cash that doesn't require him to do any real work, while trying to keep out of the way of his old employer, who are suing him for breaking a light. Lino (Abre los Ojos' Josà (C) Ã?ngel Egido), the eternal optimist, is always on his way to an interview or a rumored opening to fill out an application. Josà (C) (Tambien la Lluvia's Luis Tosar) is currently being supported by his wife, Ana (El Bola's Nieve de Medina), who's been working in a tuna canning factory, but the longer she supports him, the angrier he gets at himself and his situation. Reina (El Crimen Perfecto's Enrique Villà (C)n) has picked up a temp job as a security guard, but he's stifled by the unfulfilling nature of the job. Last, but by no means least, is Amador (Mar Adentro's Celso Bugallo), whose wife left him soon after he lost his job, and who spends his days lost in a fantasy world where she's on her way back to him. De Aranoa and co-screenwriter Ignacio del Moral put these guys in the situation, then pretty much sit back and let things unfold as they will. I don't think it's a spoiler to say this will not end well, especially now, ten years later, and especially not in America. Reviews of the movie posted back in the day on IMDB often end with an imprecation along the lines of â...and the viewer will end up hoping he never has to live through this.â? Fast-forward to 2012, and in the cases of some folks I know, three years out of work is something they saw in the rear view mirror back in 2011. I'm not sure why I put off watching this movie until now (I'm a huge Javier Bardem fan and will watch him in anything), but I'm not sure, having now seen it, whether it would have had the impact on me it did had I watched it when it first came out. Now, I know these people. In fact, some of them are my closest friends; all of us have, at some point in the past decade, been out of work for at least a year (yours truly included). It's funny how the universe works like that. And with the benfit of that hindsight, I will tell you that these screenwriters and these actors have done their damnedest to come up with the gritty ugliness of the situation and present it in as realistic a way as possible. The problem being, of course, that ârealisticâ? brings us back to where we are at the beginning of this paragraphâ"knowing that things will not end well. Be that as it may, and with the warning from the first paragraph in mind that this movie may require multiple viewings to get to the bottom of and I can't imagine anyone with a shred of empathy having the fortitude to watch it more than once, it's still well worth that one watch. Especially if you can identify with the situation, even indirectly. ***

Undeniably slow-going, but its tough-shit motto is both haunting and darkly wry. "Mondays in the Sun" plays bummed-out with a grin. It fits it nicely.

¡Menuda película! Master scene after master scene of highly intelligent dialogue with believable story line and relashionships. One of the top films on oneâ(TM)s 100 best ones.

My robimy takie filmy od czterdziestu lat, ale Javier Bardem dobrze udaje Maklakiewicza :]

"Les lundis au soleil"

Excelente Bardem. muy buena

Câţiva Åomeri, buni prieteni, à (R)Åi duc vieÅ£ile gravitând à (R)n jurul unui bar. Neavând mare lucru de fÄcut, fiecare zi e pentru ei o zi de luni, à (R)n care pot sÄ Ã (R)nceapÄ ceva. Javier Bardem Åi Celso Bugallo fac niÅte roluri foarte bune (au fost ulterior colegi Åi à (R)n Mar Adentro - 2004, unde au dus colaborarea la un nivel Åi mai profund).

Absolutely heartbreaking with a powerful, at times subtle, social message. Spain's submission to the Oscars' Best Foreign Language Film category in 2003.

A movie that combines politics and humour into a quite poignant tale. Bardem overshadows the rest of the ensemble cast as the moralistic yet somewhat lazy and womanising rogue.

Sympaattinen ja yllättävän kaurismäkeläinen elokuva. Tykkäsin tosi paljon tunnelmasta, miinuksia geneerisestä musiikista joka alka ärsyttää elokuvan loppuun mennessä.

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el personaje pesimista de Bardem es buenísimo. La historia y los actores lo hacen todo, no necesitan grandes escenarios.

social, drama, spanish

A Bitter and Sad Worldwide Contemporary Story, With Magnificent Performances. Strongly recommended to everyone...

good movie, Fernando León de Aranoa great vision of common people.