A ghost has to work overtime to haunt Hill House...the best-that-money-can-buy technology of The Haunting shows how little you can make of too much.

| Mar 2, 2018

High-tech remake is dumb and overblown.

| Original Score: 2/5 | Dec 28, 2010

| Original Score: 1.5/4 | Mar 22, 2002

| Original Score: 2/5 | Apr 17, 2001

If you crave horror, you're better off seeing The Blair Witch Project a second or third.

Full Review | Jan 1, 2000

In The Haunting, the moviemakers succeed in something very difficult: creating a haunted house with real personality and terror.

Full Review | Jan 1, 2000

A passable piece of summer hokum, but it underlines how difficult it has become to make an effective horror movie.

Full Review | Jan 1, 2000

The more this new Haunting tries to impress with its state-of-the-art techniques, the more it recalls how much Wise accomplished with eerie lighting effects and mysterious noises on the soundtrack.

Full Review | Jan 1, 2000

The characters are on the dramatic equivalent of Death Row.

| Jan 1, 2000

The actors are basically helpless with this.

Full Review | Jan 1, 2000

Shockingly short on suggestiveness and restraint.

Full Review | Jan 1, 2000

| Original Score: 1/5 | Jan 1, 2000

A lavish illustration of how to take a fairly modest black-and -white horror film from 1963 and amplify it so relentlessly that the sight of the flying cow in Twister would not be all that amiss.

Full Review | Original Score: 3/5 | Jan 1, 2000

Worse than awful!

| Original Score: D | Jan 1, 2000

Full Review | Original Score: 2/5 | Jan 1, 2000

Director Jan De Bont may have made a cow fly in Twister, but he can't keep the howling dog called The Haunting from spinning into FX excess.

Full Review | Jan 1, 2000

A blaring kitsch project of a horror film.

Full Review | Jan 1, 2000

An overpriced mess!

Full Review | Jan 1, 2000

The Haunting is a muddled mess that defies any rationality.

Full Review | Jan 1, 2000

When The Haunting finally limps to its conclusion, you may feel like booing the screen.

Full Review | Jan 1, 2000