This story of false identities set in the grounds of a luxurious (and remarkably empty) stately home feels like a rehearsal for the real thing.

| Original Score: 1/5 | Apr 22, 2019

Okay princess story -- nothing special.

| Original Score: 3/5 | Dec 29, 2010

| Original Score: 3/5 | Aug 7, 2008

I was periodically put off by a certain self-consciousness of delivery.

| Dec 7, 2007

The characters jabber away, the premise becomes ever more improbable, and you may well find yourself drifting to sleep.

| Mar 1, 2007

Great fun.

| Jun 24, 2006

Nope.

| Original Score: 1/5 | Apr 1, 2006

| Original Score: B- | Aug 7, 2004

This gender-bending romp is enjoyably witty, even if it feels rather long and pointless.

| Original Score: 2.5/5 | Jul 19, 2004

It is the audience who will feel duped even more than the characters in the film.

| Feb 1, 2004

A concoction of airy artifice.

| Original Score: 1/5 | Jan 11, 2004

Sorvino, Stirling and Rodan are fine as the youth contingent, but the film belongs to Kingsley and Shaw.

| Jan 6, 2004

Failed experiments are in general very educational, but that doesn't mean that you have to see it.

Full Review | Original Score: 2/5 | Jan 6, 2004

Never has a costume drama been so much fun.

| Original Score: 3.5/5 | Oct 24, 2003

...the close-to-two-hour running time stretches this decidedly thin premise much further than it has any right to.

Full Review | Original Score: 52/100 | May 24, 2003

The Triumph of Love is, indeed, a triumph of love: love of performance, love of joy, and, above all else, love of love itself.

Full Review | Original Score: 3/5 | Dec 8, 2002

A frivolous flutter through the art of seduction, Triumph of Love is a visually sumptuous costumer set in exquisite gardens and villas in Tuscany. Worth seeing for its gorgeous setting alone, this lively farce about politics, position and passion allows

| Sep 22, 2002

A boring masquerade ball where normally good actors, even Kingsley, are made to look bad.

Full Review | Original Score: 2/5 | Jun 7, 2002

For this sort of thing to work, we need agile performers, but the proficient, dull Sorvino has no light touch, and Rodan is out of his league.

Full Review | Original Score: 2/4 | Jun 6, 2002

Lacks any real 'bite' that might make the story tolerable.

| Original Score: 2/4 | May 24, 2002