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David 'Mad Dog' Bradley

Tomatometer-approved critic
Publications:
Location:

AU

Reviews

Movies 온라인카지노추천 Shows
Four Kids and It (2020) 49% 4/10 “A hard slog at getting up to 110 minutes...” – Adelaide Review Oct 8, 2020 Full Review The Translators (2019) 71% 6/10 “There are more than a few credibility gaps and contradictions too, and you also have to wonder, again, if any publishing firm across the world would ever go to so much damn trouble and expense...” – Adelaide Review Sep 25, 2020 Full Review The Broken Hearts Gallery (2020) 80% 6/10 “Yes, it's all pretty laboured, but you can't stop watching Viswanathan in her first lead, and Krinsky manages some snappy lines...” – Adelaide Review Sep 25, 2020 Full Review An American Pickle (2020) 72% 7/10 “Really too scattered to be as satirical as it obviously wants to be, and losing a little steam into the final act, this nevertheless demonstrates that, yes, Rogen can truly act, and that he's quite the mensch too.” – Adelaide Review Sep 18, 2020 Full Review Becky (2020) 72% 5/10 “It's all a bit lame and daft...” – Adelaide Review Sep 18, 2020 Full Review Adam (2020) 7/10 “Headed by three fine performances, with the distinguished Azabal working well with the less-known Erradi and charmingly naturalistic child actor Belkhaouda...” – Adelaide Review Sep 18, 2020 Full Review The New Mutants (2020) 36% “The final result is something that's sure to irk hardcore Marvel-philes and newbies alike.” – Adelaide Review Sep 11, 2020 Full Review Mulan (2020) 71% 6/10 “Mandy Walker's cinematography is strong enough to make you regret that this couldn't viably be released in cinemas, and the name Chinese cast is pretty good too, and yet, somehow, it doesn't quite work.” – Adelaide Review Sep 11, 2020 Full Review Les misérables (2019) 88% 7/10 “Victor Hugo would have greatly approved, from the joyful opening to the unforgettable final fadeout.” – Adelaide Review Sep 11, 2020 Full Review I'm Thinking of Ending Things (2020) 82% 7/10 “If only Kaufman had thought of ending things half an hour before he actually did and this would have been a masterpiece of angsty cerebral unease.” – Adelaide Review Sep 11, 2020 Full Review Fatima (2020) 57% “Sure to be adored by religious types despite its faults, this tries to maintain a wary and neutral tone... But, as a wise man once said, you've got to have faith. You've gotta have faith...” – Adelaide Review Sep 11, 2020 Full Review Eighth Grade (2018) 99% 6/10 “Although distinctly American, writer/director Bo Burnham's subtly melancholy teen drama tells a universal story, and star Elsie Fisher perfectly captures the agony of being young...” – Adelaide Review Aug 29, 2020 Full Review Tenet (2020) 70% 6/10 “A flick you'll want, however desperately, to like more than you actually do, this is surely the most Nolan-esque Nolan offering of them all...is this really the movie that's going to save the industry from COVID-induced oblivion?” – Adelaide Review Aug 29, 2020 Full Review I Am Woman (2019) 66% 6/10 “Director Moon and scripter Emma Jensen's epic has its problems... but much of it can be excused due to Cobham-Hervey excellent performance. Surely this is her proper breakout role...” – Adelaide Review Aug 29, 2020 Full Review Project Power (2020) 61% 5/10 “...if you're suspecting that Foxx's Art has some grim personal vendetta against Biggie and the whole damn Power thing, then maybe you should be writing dopey action movies yourself instead of just watching them?” – Adelaide Review Aug 25, 2020 Full Review Acute Misfortune (2018) 93% 7/10 “An off-putting-but-fittingly-titled study of a period at the end of the life...” – Adelaide Review Aug 22, 2020 Full Review Train to Busan Presents: Peninsula (2020) 55% 5/10 “...almost hopelessly derivative and sentimental.” – Adelaide Review Aug 22, 2020 Full Review La belle époque (2019) 90% 7/10 “Nicolas Bedos' melancholically French character piece has lovely performances and some charming humour - although its mixed messages are perhaps a little screwy.” – Adelaide Review Aug 17, 2020 Full Review Made in Italy (2020) 42% 5/10 “...a distinctly awkward drama with an almost roman a clef aspect that feels weird, strained and uncomfortable.” – Adelaide Review Aug 17, 2020 Full Review Deerskin (2019) 88% 6/10 “Dujardin is pretty good, considering that even he occasionally seems unsure what kind of movie he's actually in...” – Adelaide Review Aug 10, 2020 Full Review 6/10 “...another all-star, overlong comedic drama with a fine cast seeing you past the very French contrivance...” – Adelaide Review Aug 10, 2020 Full Review Litigante (2019) 95% “Franco Lolli's second feature is a tough, Spanish-language family drama that takes considerable risks yet works well, with fine performances from a surprisingly untested cast.” – Adelaide Review Jul 31, 2020 Full Review 23 Walks (2020) 73% 7/10 “In the end, there really isn't much else to say about this one: Johns and Steadman are good, London looks nice, and the emotions are just rich and real enough...” – Adelaide Review Jul 31, 2020 Full Review The Burnt Orange Heresy (2019) 66% 6/10 “...this should still be tolerable if you're in the right woofy frame of mind, and a general disdain for critics could also be a bonus...” – Adelaide Review Jul 27, 2020 Full Review Babyteeth (2019) 94% “Shannon Murphy's feature début is something of a teen epic and even a 'cancer movie', yet proves very moving due to its tough emotions, melancholy humour and Eliza Scanlen's central performance...” – Adelaide Review Jul 27, 2020 Full Review
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