The film takes place in current day Iraq (although it was primarily filmed in Morocco) and it makes everybody out to be pathetic. And while this is a major problem, it is not even the film's greatest flaw.

| Aug 23, 2017

I don't think this movie sheds any new light on 'the situation', but it could have, and it's a shame that it didn't.

| Original Score: 2.5/5 | Jul 9, 2007

A pretty lousy movie in general, though it's the film's somewhat accusatory Iraq War subject matter that's getting it some attention -- deserved or not -- that makes the whole thing a little distasteful.

| Original Score: 2/4 | Apr 27, 2007

The concept is strong and expertly fleshed out; it's just a pity that Hollywood tropes are allowed to invade.

| Original Score: 2/4 | Apr 13, 2007

Beneath the melodrama is an insider's account of the seemingly inconsequential details often edited out of dispatches from the front.

| Original Score: 3/4 | Apr 13, 2007

The essential message in this strongly felt film comes clear: 'It's Iraq.' It used to be bad, but now it's worse. And anyone in his right mind, including Iraqis, wants to get out.

| Original Score: B | Apr 13, 2007

The Situation' is bound to stir up controversy because of the way Americans are portrayed, and anything that gets people talking and thinking is for the good. It brings the war home, where our soldiers should be.

| Original Score: 3/4 | Mar 30, 2007

It's a credit to the material and the basic plot that even as you're groaning over a clunky speech explaining it all, you're completely focused on what the situation in Iraq actually is.

Full Review | Original Score: 2.5/4 | Mar 30, 2007

[Haas'] attempt to convey the tangled relations between sheikhs and insurgents, occupiers and civilians is undercut by Wendell Steavenson's mightily overwritten screenplay.

| Mar 30, 2007

Bringing the chaos down to very human terms redefines the paradigm for thinking about the occupation, and makes this a film that is more than a mere exercise in action/adventure

| Original Score: 4/5 | Mar 30, 2007

There are a half dozen people in colorful supporting roles all of whom have their own truths. And all of whom are far more interesting, as characters and actors, than [Connie Nielsen].

Full Review | Original Score: C- | Mar 8, 2007

A gripping briefing on the post-Saddam morass of Iraq. The tactical calculus used by sheiks, insurgents, CIA operatives, soldiers, and civilians is ugly, but it's not inscrutable.

| Original Score: 3/4 | Mar 2, 2007

Even as it makes a mucky melodrama out of the war in Iraq, this effect does not seem entirely inappropriate, as it accommodates a U.S. perspective of its own actions.

| Feb 24, 2007

You want better for this film, but the discomfort it causes is not a matter of it being too soon for the audience, but rather, it seems, for the filmmakers.

| Feb 21, 2007

The Situation does an admirable job of guiding us through an almost hopeless quagmire.

Full Review | Feb 20, 2007

His heart is in the right place, and our current situation cries out for a film like this %u2026 like this, but much better made.

Full Review | Feb 11, 2007

It's [Wendell Steavenson] first screenplay, and it shows; while not the movie's only problem, the script is a big one, made up as it is primarily of dialogue that isn't just expository, but clunkily explanatory.

Full Review | Original Score: 2/ | Feb 9, 2007

The Situation is promoting itself as the first American dramatic feature film to deal with the occupation of Iraq. While that may be true, it turns out not to matter that much.

| Original Score: 2/5 | Feb 8, 2007

The film would have made a serviceable drama, perhaps, if [writer] Steavenson and [director] Haas weren't so inured to trite utterances.

| Feb 8, 2007

As ambitious in scope as it is interpretively timid, The Situation delivers the requisite incendiary climax, but collapses in on itself with daft speeches about the elusiveness of truth in something called 'the fourth dimension of time.'

Full Review | Feb 8, 2007