The biggest problem with The Omen is that it has dated since it was made. And films of the seventies and before have dated especially worse than films of the eighties and later. In the Western society the belief in Christ is less than in the seventies so that cultural impact is lessened. This film is fundamentally about Christianity and that is where the fear comes from. I am not Christian so I found this a slightly preposterous thriller. Having said that, I can respect that this is a very well made film with a thrilling climax and some thoroughly exciting scenes on the way. I can also be vicariously afraid on behalf of believers. Not sure that the remake can make it more relevant. Overall, not scary enough for me but, like Rosemary's Baby (1968), I can appreciate what it is trying to do.

A classic. This movie shows why movie stars (OK legend even) can help elevate any genre of movie. Movie stars that can act bring something special: Peck and Remick were the leads and brought the charisma, star power and acting abilities to make something that could be silly have more of an interesting factor. Sure keep in mind the time this movie was made, the era. So don't compare this movie with movies made today. For one thing, due to IT attention spans of overall have lowered, with a defective attention span, some things might seem slow. Rather, it is a fitting vibe for the movie and era. Yet looking at the storyline, The Omen is a classic and solid scary movie. A drama that really captures interest: a couple, even though some might say everything that brings happiness (money, career, prestige) was still missing. Guess who arrives to help solve this missing piece to the otherwise perfect couple? Damien. The drama with scary, gross moments delivered. The whole case is excellent and sold me on the storyline. I would say, even though it's Easter (date of this post), to watch this movie and make it fun day/night! As I don't conform to those rules that certain "holidays" are meant for this or that. Changing things and not just watching Easter Bunny movies can be fun! Going against the grain which The Omen did with some of the subject matter, similar to The Exorcist. I love such boldness!

Classic movie making with slowly rising levels of dread. One of the best!

Amei muito esse, recomendo pra todos que ainda não tiveram chance de assistir!😮😍💖📬🎥🎬🌍😊👍

Filme mais ou menos, o roteiro é fraco, o filme teve cenas bacaninhas, mas não relevantes, os personagens são mais ou menos, mas o filme deveria ser melhor.

A slow paced but it has affective scares and is still a timeless classic.

Haunting, disturbing and impeccably staged, The Omen is easily one of the best religious horror films ever made thanks to Richard Donner's direction, a bunch of compelling performances and some truly chilling moments.

The real horror of this film isn't even the death scenes, unforgettable though they are. It's the sense of inexorable doom that pervades very aspect of the story. This feeling of impending doom is made palpable by the brilliant and understated acting and descends like a dark shadow that lingers well after the credts have rolled. Incredibly chilling.

There’s something special about "The Omen," directed by Richard Donner, who is also known for "Superman" and "Lethal Weapon." The film explores themes related to Christianity, such as The Father, The Son, The Holy Ghost, The Devil, The Son, and The False Prophet, along with concepts like exorcism and devil children. While films with similar themes can often feel alike, each one approaches these ideas in unique ways. Donner masterfully builds tension by gradually revealing the story, allowing the audience to piece together the narrative over time. The performances in "The Omen" are also noteworthy, particularly that of Gregory Peck, who brings depth to his character as he grapples with the unsettling events surrounding his adopted son, Damien. The supporting cast, including Lee Remick and David Warner, adds layers of intrigue and emotional weight to the film. Visually, Donner creates a haunting atmosphere, employing cinematographic techniques that enhance the sense of dread throughout the movie. The use of shadow and light, along with an evocative score, amplifies the suspense and leaves a lasting impression on viewers. Moreover, "The Omen" addresses the nature of good and evil and the struggle between faith and doubt, challenging the audience to consider their own beliefs. Its combination of horror, psychological tension, and philosophical questions contributes to why it remains a classic in the genre, resonating with audiences long after its release. The film serves as a reminder of the power of storytelling and its ability to provoke thought and evoke strong emotions. Let's also not forget the wonderful and dramatic acting by the great Gregory Peck. Any role he's in, he nails it.

This film taps into our deepest fears along with a haunting blend of psychological tension and terror. From the eerie to the clever cinematography, the film immerses viewers in a sense of dread that never lets up after the credits. The Omen has stood the test of time because it doesn’t really rely on sudden jump-scares or gore but intern, it creates an atmosphere that creates this well-known film.

A slow burn that drags. Yet there is tense anticipation that works well. An investigative mystery baked into the religious horror theme that’s surprising. A great score with fascinating plot details. Yet the sound & lighting are very dated.

This movie has the creepiest soundtrack ever, specially the part with the dog and the nanny!! Recommend 10/10

Watching this (I think for the first time, but I feel I may have sneaked a childhood watch under the nose of my parents) nearly 50 years on, it's hard to separate the film itself from what it spawned or popularised. I've lost count of serial killer stories with hackneyed references to the book of Revelation, there's a lot of bad theology around that seems more based on the film than on authentic Christianity, and we've heard scores like this far too many times now. But trying to forget all that, this has a latent dread soaked into it. An American diplomat whose wife has a miscarriage, swaps his dead child for another one born at the same time (whose mother died in childbirth). He turns out to be - probably - the Antichrist. There's less gore than I expected, even if on a couple of occasions the film delights in a spectacular kill or two; but it's Gregory Peck's not perfect performance, played with the seriousness of a Shakespearean tragedy, that means this film still works quite so well. Aspects play very differently if you've adopted a deeply traumatised child with a habit of acting out their trauma dramatically, something which almost certainly wasn't on the film-makers' minds, but is there nevertheless if you do bring that to the film with you. Whatever your life experience, this remains a core horror text, and one deserving of its place.

There’s an sense a dread through the entire film and that’s thanks to the fantastic cast, Richard Donner’s strong direction and the haunting Oscar winning score by Jerry Goldsmith

One of my favorite horror movies with Peck and Remick as the parents of the little devil (Stephens). Troughton (Dr Who) is great, as well as Warner. Also the fantastic score of Jerry Goldsmith. I stil get the willies when I hear the latin chant music when something awful is about to happen. It's all for you!

childish rediculous movie. nonsense for christian consumption.

Revisitando essa franquia. Aqui temos um clássico dos anos quase dourados, que eu costumo colocar na mesma prateleira do Exorcista. Toda a trama, ambientação, trilha sonora, etc, são impecáveis. Infelizmente, possui algumas sequências realmente assustadoras (a nível de qualidade), mas que vamos revê-las, mesmo assim. Richard Donner ficaria bem famoso mais pra frente, com grandes obras como Superman (1 e 2), Ladyhawke, The Goonies, Lethal Weapon (1, 2, 3 e 4), Assassins, Conspiracy Theory, entre outros. Obrigatório aos fãs do gênero!

An adolescent nightmare. Director Richard Donner crafted the absolutely chilling classic The Omen (1976). Filled with shocking twists, sudden murder, and disturbing imagery, The Omen is not like any other horror film. This movie will scare you at some point. You will certainly be entertained by the occult mythology, Satanic imagery, and brutal kills. Watch in the dark. I have to hand it to Richard Donner. He directed this dark story with Gothic settings, realistic costumes, long panning shots, gorgeous cinematography, and memorable framing. Each scene is like a painting centered at the perfect place for you to view it. I love Donner as a director for his helming of Superman (1978) and The Goonies (1985), but The Omen (1976) is perhaps even greater an accomplishment. Donner takes a bleak world and sends his lead on a desperate mission to stop atrocity. The Omen is not only frightening, but also well made. Gregory Peck is the real highlight here. Peck is so passionate in his performance as Robert Thorn. He personifies fatherhood and its potential downfalls. He weighs the options of the terrible decisions he must make with a realistic hesitance. The Omen honestly contains one of Peck's finest moments as an actor. He takes it seriously and sternly throughout the film. I found Peck to be quite compelling as the leading man in The Omen. There are other supporting roles that I would like to mention. Namely, Lee Remick as the sweet wife and doting mother that just is out of her depth. I liked David Warner as the reporter Keith Jennings much very as he adds an outside view and a lot of exposition to explain the backstory in a helpful way. Then, there is certainly the most haunting performance from Billie Whitelaw as the nanny Mrs. Baylock. She is absolutely crazy and monstrous. Next, Patrick Troughton is excellent as Father Brennan. I found his presence inescapable and his demeanor fascinating. He gives such a visible concern for humanity on his face, while he runs from The Devil. I think he killed it as Father Brennan. Lastly, little creepy Harvey Stephens is perfectly cast as Damien. He exudes a quiet malice. Stephens is the personification of Satan with his apparent childish charms and his selfish annoyances. Donner could not have cast a better Damien. In conclusion, The Omen remains a horror classic. It's mystery is still compelling and keeps you guessing to the bitter end. Donner is a genius director and finds new scares every scene. The terror will overtake some, but The Omen is a fearsome horror film to this day.

In my opinion, a flawless movie. Everything was done perfectly. It’s not about being scary all the time, sometimes it’s about suspense and this movie has that and then some. Like A Clockwork Orange, a movie that is never boring and seems to leave no room for any criticism.

A decent horror movie for its time. A little light on the scaryness in my opinion, but overall a good movie.