Simple in its aesthetics (heavily dependent upon two leads' actings) and brutally honest in its depiction, this 'relationship drama' rings very true to me. Very refreshing.

| Mar 24, 2021

The rhythm has dormant effects. It's a film without many dramatic dimensions. [Full review in Spanish]

| Original Score: 5/10 | Jul 15, 2020

"Everyone Else" is probably the best film about a disintegrating relationship I've ever seen. Ade has a real knack for visually representing deep emotions.

| Oct 24, 2018

The movie is a visual treat, but Everyone Else, which makes no sense as a title, should have been called Pretty Boy, Girl, and Island.

| Jan 13, 2018

Maren Ade has created a minutely detailed portrait of people so exclusive they wind up excluding each other.

| Feb 16, 2017

Notable for its realism ... striking in its simple relatability.

| Original Score: 8/10 | Feb 14, 2011

It has some stiffness around the edges, but its emotional truth is beyond reproach.

| Original Score: 8/10 | Jan 12, 2011

...there are some authentic moments as this charts the drip, drip, dripping dissolution of a romance.

| Original Score: 3/3 | Dec 23, 2010

They are uncomfortable together, even more uncomfortable with themselves when they are alone. They are also awkward with their friends. Have I left anything out?

| Original Score: C | Nov 12, 2010

Engrossing, talky, intimate romantic drama.

| Original Score: A- | Oct 16, 2010

Don't be fooled by the eye-candy..the interpersonal wars being fought on a micro-scale in this film are as intense as anything in Restrepo or The Hurt Locker.

| Original Score: 7/10 | Sep 17, 2010

If you haven't been in this relationship, then you surely know someone who has: Chris and Gitti are as recognizably human as a glance in the morning mirror, and just as strangely distorted.

| Original Score: 3.5/5 | Sep 10, 2010

Maren Ade's sophisticated, incisive storytelling relies not on screaming matches but on the leads' marvelous attunement to each other, the ways in which they snag on the barest flickers of intimated feeling in each other's performances.

| Original Score: A- | Aug 15, 2010

Like Cassavetes' A Woman Under the Influence, Ade's film is as unpredictable and ambiguous as it is raw.

| Original Score: 4/4 | Aug 12, 2010

Is this Germany's answer to the American "mumblecore" movement? When the digital-video-shot "Everyone Else" (2009) begins, we have no idea who the attractive, young couple front and center are, what they do for a living or where they are, for that matter.

| Original Score: B- | Jul 22, 2010

It's about private, emotional phenomena: the tiny tremors and imperceptible shifts that bring a couple closer together or drive them apart, almost without their noticing.

| Original Score: 3/4 | Jul 22, 2010

Maren Ade's moody character study evokes such classics as Voyage to Italy, Knife in theWater, and L'Avventura in its romantic ennui...

| Original Score: 3/4 | Jul 22, 2010

Director-writer Maren Ade creates a true "men are from Mars, women are from Venus" story

| Original Score: B | Jul 20, 2010

...one of the best dissections of a male/female relationship that has ever been committed to film.

| Original Score: A- | Jul 19, 2010

Well-acted, beautifully shot and unpardonably tedious

| Original Score: D+ | Jul 16, 2010