In the end, Collide is a cheap genre product produced with an eye on foreign market box office. Wake me when Dominic Toretto torques his way into Havana.

| Original Score: 1/5 | Mar 2, 2017

Hoult and Jones are unable to breathe much life into their bland characters, and it's ultimately sad to watch the former Hannibal Lecter and Gandhi reduced to playing silly, tough-guy caricatures.

| Feb 27, 2017

Unexceptional, a hodgepodge of corny voice-over and repetitive, anticlimactic plotting, with Hoult and Jones miscast as a couple of party-hardy American expats.

| Original Score: C | Feb 25, 2017

The kind of low-rent action movie that only exists because everybody involved knew that nobody in the Western world would ever see it.

| Original Score: D+ | Feb 25, 2017

I don't subscribe to the notion that a piece of art shows its entire hand within its first ten minutes, but director Eran Creevy's third feature doesn't inspire a whole lot of confidence with its bland introduction.

| Feb 24, 2017

A flatly earnest Hoult and Jones are hamstrung by drippy dialogue, while Kingsley and Hopkins overplay their more colorful parts - with the former doing a cartoonish Turkish accent and the latter delivering lines with strange emphasis.

| Feb 24, 2017

At the very least, Collide offers the novelty of seeing Ben Kingsley give a monologue about his love for the tight body of Burt Reynolds.

| Original Score: D- | Feb 24, 2017

Hand-in-hand with its bleeding-heart nature, Collide has the ballsy idea of making a serious action movie about a fool in love, but that just becomes one of its many bungled stunts.

| Original Score: 1.5/4 | Feb 24, 2017

It's difficult to begrudge a film that has the good sense to put so much stock in Ben Kingsley's hammy theatrics.

| Original Score: 2.5/4 | Feb 23, 2017