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End of Sentence Reviews
Restrained in comparison, low-key...Hawkes is a main reason to see it...
| May 10, 2021
It's occasionally tougher than it sounds, and Hawkes and Lerman are fine in their oppositional roles. But it's all so familiar, and the progress so predictable.
| Original Score: 2/5 | May 8, 2021
End of Sentence still delivers in its final moments, thanks to Hawkes and Lerman's ability to carve meaning into the spaces between words.
| Original Score: 3/5 | May 7, 2021
Tonally, the film vacillates oddly between wanting to be a complex character study and a chaotic road movie which culminates in a bafflingly ill-judged car-chase in its third act.
| Original Score: 3/5 | May 7, 2021
End of Sentence is a reminder of how pleasurable it is to see genuinely pitch-perfect acting, the kind that quietly brings characters' inner lives to the fore.
| Original Score: 3/5 | May 4, 2021
End of Sentence is sometimes a little too familiar and sometimes a little too willing to villainize its female characters, but John Hawkes and Logan Lerman work as a duo struggling to connect.
| Jun 15, 2020
Like taking a deep breath of spring air after spending too long inside.
| Original Score: 3/4 | May 31, 2020
Hawkes and Lerman are a pleasure to watch as they ease on down this road.
| May 29, 2020
In his feature directing debut, Icelandic filmmaker Elfar Adalsteins demonstrates a steady hand with both his actors and the pacing.
| May 29, 2020
This is a lovely little gem.
| Original Score: 3/4 | May 29, 2020
Casually cathartic at times, cathartically casual at others, this affecting little film about fathers and sons knows that some wounds never heal, but it's never too late to stop the bleeding.
| Original Score: B+ | May 29, 2020
A deliberate, gentle, genuinely caring debut feature from Icelandic director Elfar Adalsteins.
| Jul 12, 2019
The fact that we can perhaps predict the end of this journey doesn't lessen its emotional impact.
| Jul 2, 2019
End of Sentence is a familiar story at heart, but beautifully observed, sensitively played and smart enough to wrong-foot audience expectations whenever the plot gets too comfortable.
| Jul 2, 2019