Distancia de rescate es una eco-distopía de alta calidad.

No es propiamente una película de horror. El suspenso lo dan mayormente la ambientación lúgubre y los efectos visuales mas no las acciones de los protagonistas. El principal problema que veo es que al terminar la película uno siente que muchas cosas, especialmente aquellas relacionadas con lo sobrenatural, han quedado sin explicar (la idea de que todo es producto del uso de pesticidas no para nada es convincente!). Por eso, le doy puntos a favor por las excelentes actuaciones, la estupenda ambientación y la relativa moderación del contenido (ausencia de escenas escabrosas). Pero le doy en contra contra por la excesiva lentitud y todas esas cosas que han quedado sin explicación.

Basada en la novela homónima de la escritora argentina Samanta Schweblin, esta película narra la historia de Amanda que llega con su hija a un tranquilo pueblo rural de Argentina y al lado de la casa en la que se alojan viven otra mujer y su hijo David. Las dos mujeres establecen una estrecha amistad, pero pronto Amanda se da cuenta de que las cosas que la rodean no son como parecen. Es bastante fiel a la novela, y al igual que esta, deja un millón de preguntas sin resolver con un final abrupto. En general, es una historia de drama y suspenso psicológico con un significado elusivo, pero la atmósfera y el misterio como tal son absorbentes y fascinantes y atrapan al espectador con facilidad.

Quite moving. Good concept and has a dark, realistic plot. A little confusing but overall a good psychological thriller worth a watcv.

Worst film EVER made absolute waste of space and these arty far-y directors need to put on a few lights when making trash like this what's the point of a film where half of it is in total darkness I have watched a few excellent films recently ruined by low arty far-y lighting it is certainly not the least bit artistic and a waste of actors time as they can't be seen in some Scenes the minute I see a film starting with arty dark lighting in future it's going to get zapped no matter how good the story line is with sub zero lighting Are you listening Mr would be :De Mille :

De film boeide mij vanaf het begin. Waar het eerst raadselachtig begint en je geen idee hebt waar het heen gaat, vond ik het een verassende plot. Het onderliggend verhaal als ik het goed heb geïnterpreteerd. Gaat het over de landbouwgiffen en de invloed op onze kinderen en gezondheid. David wordt afgeschilderd als een monster, doordat niemand hem meer begrijpt en hij vreemde ticks vertoond, je ziet hem veelal draaien aan wielen en het contact en communicatie gaat moeizaam met hem. Het deed me denken aan een jongen met een autisme stoornis door de gevolgen van de landbouwgiffen. Maar de nieuwe David ziet heel goed wat er gaande is en maakt dit op subtiele non verbale communicatie duidelijk. Doordat een deel van zijn ziel ergens zwevend is, is hij niet goed geaard iets wat momenteel een probleem is bij vele kinderen. Dit maakt ze moeilijk te begrijpen maar ze zijn o zo wijs. Kijk goed naar je kinderen, wil dit verhaal zeggen. Zorg daarom goed voor moederaarde, want dat is de sleutel in deze film. Niets is wat het lijkt en deze film maakt duidelijk dat je ook goed naar het ontzichtbare moet kijken. Amanda steld zich wel open voor David en tijdens de film is ze in gesprek met David, die haar leidt naar haar intuïtie.

The movie seemed interesting but no questions about David were answered. Also I find it hard to believe that pesticides can be this toxic. Safe for anyone to eat, but will kill a healthy horse and an adult woman in a few hours? No.

Gostei muito. Não me deu sono hora nenhuma de tanto entrosamento entre as atrizes e a trilha sonora. Tudo muito bem encaixado. E cuidado com agrotóxicos! :-*

Huh?? Just as clueless as to what this movie is about than before I pressed play.

Das Gift (Fiebertraum) ist eine Literaturverfilmung von Claudia Llosa (Regie und Drehbuch), nach einem Roman von Samanta Schweblin. Wer einen Horrorfilm im herkömmlichen Sinn erwartet, wird hier enttäuscht werden, der Film ist eher eine Literaturverfilmung mit Psycho-Horror… Eine Geschichte über eine Krankheit, die Pferde und Menschen befällt… Mit tiefgründigen Einblicken, die tiefe Eltern Gefühle wecken, was einen guten Psycho-Horror braucht, denn Mütter suchen nach Antworten… Das Gift (Fiebertraum) hat mich voll überrascht. Claudia Llosa inszenierte die Geschichte mit viel Gefühl, ja, ich kann sagen mit Gefühl einer Mutter. Die schauspielerische Leistung der Darsteller ist außergewöhnlich gut… ein sehenswerter Film…

É necessário saber investigar o que acontece no filme antes mesmo de dar qualquer opinião, assim avisado digo que lembro de um crítico de cinema disse que o filme bom não é aquele que vai junto com a pipoca no lixo do cinema, mas sim um que você questiona o que era aquela peça cinematográfica e é o caso desse, que em um desespero a mãe queria trazer sua filha á vida, só que tudo isso tem os seus poréns sendo que ela leva em um tipo de curandeira no qual de um jeito ela volta mas de maneira indiferente, o adoecimento não é explicado por isso tive que pesquisar, mas isso que é legal o filme vira o seu próprio quebra cabeça, com várias peças soltas mas ao entender análises de outras pessoa tudo faz sentido, a transportação do corpo de menino para menina e vice-versa fazem eles tornarem um, pois no final o menino de nome David quer o bicho de pelúcia mas é tirado do carro concluindo que era a menina que estava no corpo dele, confuso (não), é o que digo o filme é um labirinto.

Very slow, very odd, and just not very engaging. However, it held my attention to see what happens next. Answer? Not much.

I know everybody and their butt loves the book, but I was wildly underwhelmed when I read it years ago. Right after it was published in English. So imagine my surprised when it's STILL a thing. It was...fine. And that's exactly how I felt about the movie. It was fine. The book is more litfic than horror, and the movie is basically the equivalent. It's fine. Meh. Whatever.

Not sure why this would be labeled, 'horror'. Is anything that can't be explained by rational experience now a 'horror'? I guess if you just watch the first few minutes it might seem like it's going to be 'horror', but that opening is only explainable by seeing the whole film, especially the ending. I admit that I was fooled by the opening innner dialogue of a woman being dragged through a forest as being another woman-slasher film, but am glad I stuck with it, as it was anything but that. There is a spiderweb of suspense in almost every scene that keeps a viewer expecting culmination or explanation. So it is a kind of 'edge of your seat' film. If you expact an ax murderer to suddenly jump out of a closet, that doesn't happen. There is shamanistic ritual that could have been understated a bit more, as it does nudge the film toward a kind of "Rosemary's Baby" feel. And there is a ubiquitous "don't go into that dark basement alone" kind of point, that always seems a bit contrived, when all could turn out OK if the main characterer would, instead, just follow her instincts and common sense. Overall, a sublime sense of foreboding is interwoven with scenes of tenderness and well being. I do question the decision to open the film the way it does, as it is misleading, and sets an atmosphere of dread that might better be left for the audience to discover as the story develops. All-in-all, if you think this is going to be another slasher film you'll be disappointed. If, on the other hand, you appreciate nuances of character and plot this is a worthwhile film to watch.

Impressive and maliciously absorbing, this tremendous adaptation of Smantha Schweblin's novel dives into sinister - albeit sometimes fuzzy - places, delving into the depths of being human and our fears. It is also a portrait of motherhood complemented by two tremendous performances. Despite having several loose ends, subplots that do not develop and, therefore, seem more like a vice of the director, it is unmissable and surprisingly disturbing, much more for what it suggests than for what it shows.

I have no idea what the movie was about. Guess I'm not intelligent enough or patient enough to figure it out

IL-1, IL-6, and TNF-α stimulate hypothalamus to release Prostaglandins E2, and we have a fever. So this movie was supposed to feel atmospheric and like a dream, as the title suggested. It was so dreamy that I almost fell asleep many times. Zzzzz. Granted that I was a bit sleepy going in, I still believed that this movie was Netflix's new dose of melatonin. So yes, I hate this movie with a sleepy passion. It was supposed to build to something, and then it ended with nothing. Overall, a waste of time. 2/10

Its a slow burn movie with a bit of soul shifting tricks but during the whole film I just want to be david and shout "its the pesticides amanda!"

It was horrible. Dont have even the slightest clue as to what was happening except that there was a toxin. The ending is confusing af