It’s easy to see why critics and audiences hail this satire as one of the best in Cinema, but Network is a boring film with unlikable characters.

I was very surprised to see the raving reviews over this movie, and I know im just some dude so who cares what i think, but I literally created a rotten tomatoes account just to rate this movie poorly. seriously, save your time, while I can admire the nice cinematography and production quality of the movie, the overall story and message of the movie is very simple and basic and predictable. The acting is pretty good. The dialogue is extremely boring and the entire movie I just struggled to care about anything happening. There are no stakes, The characters are very hard to care about because everybody in the movie is extremely generic + there is no context/good backstory to any of them. it takes over 2 hours to convey a very basic message and it's just a waste of time. Not a poorly made film just painfully boring, and i never write reviews on things. 3/10 at its very best.

Absolutely fantastic! 50 years ago but feels like right now. WOW.

One of the finest examples of directing actors. While it may feel slow at times, the performances are among the best in film history.

Filme bacana, o roteiro é bacaninha, a história é meio interessante sobre um emisora de tv chamara UBS que temta melhorar a sua audiência, as cenas são bacaninhas, como a cena do apresentador Howard beale que faz um diálogo sobre televisão e caiu no chão do nada, no final ele ia começar o programa e duas pessoas na plateia atiram nele e matam Howard beale ao vivo e acaba o filme, esse filme é bacana, algumas cenas do filme é desinteressantes, mas as cenas da televisão são bacanas. Eu queria colocar 1 estrela e 75, mas o rotten limita.

“A Sharp, Satirical Masterpiece That Still Feels Relevant Today!” Sidney Lumet’s Network is a fearless, biting satire that remains as relevant and powerful today as it was when it first hit theaters in 1976. With its brilliant script, outstanding performances, and razor-sharp commentary on the media, the film is a brilliant exploration of capitalism, the power of television, and the dangers of sensationalism. The plot centers around Howard Beale (Peter Finch), a news anchor who, after being fired, has an on-air breakdown and announces he’s going to kill himself on live 온라인카지노추천—only to become a ratings sensation. The way the film captures the media’s exploitation of tragedy for profit is both chilling and eerily prescient. Beale’s famous “I’m as mad as hell, and I’m not going to take it anymore!” becomes the rallying cry for an entire generation, and the movie’s exploration of the commodification of human emotion hits hard. The performances are nothing short of extraordinary. Peter Finch delivers a career-defining portrayal of Howard Beale, embodying the character’s desperation, madness, and surprising poignancy. Faye Dunaway is equally compelling as Diana Christensen, a ruthless 온라인카지노추천 executive with no moral boundaries, and her performance earned her an Academy Award for Best Actress. William Holden, as the weary news executive, and Robert Duvall, as the cynical 온라인카지노추천 network president, round out the exceptional cast, each delivering unforgettable performances that bring their complex characters to life. The screenplay, written by Paddy Chayefsky, is a masterclass in sharp dialogue and social commentary. Network boldly tackles issues like corporate greed, the decline of journalism, and the rise of infotainment with both humor and horror. It’s a searing critique of the way media shapes society and how it often prioritizes profit over truth. The film’s darkly comic tone ensures that the message is both impactful and entertaining. Visually, Lumet’s direction is simple yet effective, emphasizing the chaos and emotional volatility of the characters. The film’s pacing keeps you engaged from start to finish, and its dramatic tension only intensifies as Beale’s mental state and the network’s manipulation of him escalate. Despite being over four decades old, Network has a timeless quality to it, tapping into the same media-driven sensationalism and exploitation that still dominates the airwaves today. Its prescience about the future of television and the relationship between entertainment and reality is downright eerie. Network is a brilliant, daring, and thought-provoking film that will leave you questioning the nature of media, power, and the human condition. It’s a movie that resonates not only as a product of its time but as a cautionary tale for the future. Rating: 10/10 – A flawless masterpiece that offers a chilling and darkly comedic look at the world of media. A must-see for anyone who loves thought-provoking cinema.

I thought it was way too slow. Not much happens in the movie. The ending is quite good though, but I do not think it is worth it. Should have been a shorter movie maybe.

Don’t do it, it’s a ling and agonizing film!

Beyond the perfect casting, acting, and script - not enough accolades are given to the amazing editing and pacing of this syperb film, which gallops and glue’s one’s interest to the screen much more than many modern movies do! And Network has a lot more to say about America than the majority of modern films do!

Ahead of its time. Imagine what they would have thought of the Internet. About 2/3 into the film it starts to drift before finally coming back to a conclusion that fits the absurdity of what they're trying to portray.

Morally, it’s a tough watch, but if you can get through it, you’ll find some golden moments scattered among the rotten parts.

Riveting performances by Dunaway, Finch, Holden, Duvall, Beatty take this amazing screenplay to the highest level. This movie is still absorbing 50 years later. The visuals of refrigerator sized computers and the menacing clacking of the newsroom teletype machines are harbingers of the disinformation mess we’re in today.

So far ahead of its time in terms of content, it's scary how accurately this captures and foretells how money would forever change the news and entertainment industry. Even if this was already beginning to happen in the 70s it feels utterly prescient given the state of media today. Boasts an excellent script and great acting, in particular Faye Dunaway. Sometimes acting doesn't really translate to later eras given form and style -- for example, I don't think Peter Finch's performance will connect as well with modern audiences; it's a bit too over the top in a stage performer sort of grandiosity -- but Dunaway stands the test of time.

What best spices up this satire is its sinister resemblance to reality: television, which uses the most Machiavellian means to engage the public. The character played by Peter Finch is one of the most difficult to forget.

I get so excited on those extremely rare occasions when you come across a motion picture that is an obvious all-timer - a film that transcends all time and space, a film that you will quote and daydream about and revisit for the rest of your life, and a film that you will forever regret not watching for the first time even one day earlier. This is movie heaven, and proof positive that a truly great film is more timeless than timely. It's mind boggling that this cinematic experience is almost 50 years old, as the themes portrayed are more apropos than even before - it feels almost prophetic. The screenplay has to be one of the finest ever written - smart, clever, challenging and as satirically biting as any film I've ever seen. The events here feel initially outrageous, but then you contemplate what's going on in the world today, it immediately becomes almost documentary-like in its accuracy. The cast is unmatchable, featuring career-best work from the entire ensemble. This is easily one of the best films of its decade, and when I re-evaluate my all-time list, which I do every couple years, this will be on my notepad to consider. Absolute brilliance!

Timeless so far, unfortunately.

Television has never been more satirical or philosophical like this before! An emotional journey of Howard Beale, as he begins as a prophet on the airways only to become a rating in a long number of channels. With its talented cast members playing characters trapped in the studio, we suddenly feel as though we're trapped as well!

A fantastic piece of cinema, Sidney Lumet's classic "Network" is riveting and hilarious from start to finish, and Paddy Chayefsky's screenplay is among the greatest ever crafted. The entire cast plays their part without a single error, bringing to the screen a dark and tense but completely believable film. In 1976, this film might have been a satire. Today, it is a documentary.

A brilliant satire, which sadly is still relevant today, on the lack of morals within the ratings driven world of commercial television. One of the best movies of the 1970's.

movie is good, good acting and story.