Personal Velocity: Three Portraits Reviews
Miller is a witty and socially acute observer; the three portraits in "Personal Velocity" are told with both novelistic richness and brisk, confident economy.
| Mar 7, 2018
By the end of Personal Velocity, you want to invite all three female characters around for coffee to hear what happened next, and I can think of no higher praise for everyone involved.
| Jan 3, 2018
This uneven triptych features flawed female heroines whose woes are attributable to unstable or bland male partners and simple bad luck.
| Sep 29, 2017
Story about life's turning points is not for kids.
| Original Score: 3/5 | Dec 27, 2010
Although each woman has only about half an hour of screen time, all three are more fully realized characters than any woman in a typical two-hour Hollywood blockbuster.
| Original Score: 3.5/4 | Nov 6, 2006
| Original Score: 3.5/5 | Dec 6, 2005
| Original Score: 1/10 | Oct 7, 2004
Miller has made a provocative, intimate triptych of short stories.
Full Review | Original Score: 3/5 | Jul 29, 2003
| Original Score: 3/4 | Jul 21, 2003
It's quite a stylised piece and it's credit to the cast and the filmmakers that the characters engage us to the extent that they do.
| Jul 15, 2003
Full Review | Original Score: 3.5/4 | May 14, 2003
| Original Score: 3/5 | Apr 21, 2003
Three short stories about women at turning points in their lives, the movie gains power by condensing each story to 30 minutes each.
Full Review | Original Score: B | Apr 14, 2003
| Original Score: 3/5 | Mar 29, 2003
Miller's film is bold and hearty, but it's also a ham-fisted wallop to the senses.
| Original Score: 2/5 | Mar 4, 2003
Unless you're the sort of person who loves the fiction found in The New Yorker and smaller literary magazines, you'd better avoid Personal Velocity.
| Feb 24, 2003
| Original Score: 2.5/4 | Feb 17, 2003
All three women deliver remarkable performances.
Full Review | Original Score: 8/10 | Jan 24, 2003
You can't really blame Miller for being in love with her own words, but this film is more like a slide show accompanied by an audio book than a movie.
| Original Score: C- | Jan 20, 2003
A trilogy of stories about women on the edge that features no less than three rotten dads.
Full Review | Jan 19, 2003