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Personal Velocity: Three Portraits Reviews

Miller is a witty and socially acute observer; the three portraits in "Personal Velocity" are told with both novelistic richness and brisk, confident economy.

| Mar 7, 2018

By the end of Personal Velocity, you want to invite all three female characters around for coffee to hear what happened next, and I can think of no higher praise for everyone involved.

| Jan 3, 2018

This uneven triptych features flawed female heroines whose woes are attributable to unstable or bland male partners and simple bad luck.

| Sep 29, 2017

Story about life's turning points is not for kids.

| Original Score: 3/5 | Dec 27, 2010

Although each woman has only about half an hour of screen time, all three are more fully realized characters than any woman in a typical two-hour Hollywood blockbuster.

| Original Score: 3.5/4 | Nov 6, 2006

| Original Score: 3.5/5 | Dec 6, 2005

| Original Score: 1/10 | Oct 7, 2004

Miller has made a provocative, intimate triptych of short stories.

Full Review | Original Score: 3/5 | Jul 29, 2003

| Original Score: 3/4 | Jul 21, 2003

It's quite a stylised piece and it's credit to the cast and the filmmakers that the characters engage us to the extent that they do.

| Jul 15, 2003

Full Review | Original Score: 3.5/4 | May 14, 2003

| Original Score: 3/5 | Apr 21, 2003

Three short stories about women at turning points in their lives, the movie gains power by condensing each story to 30 minutes each.

Full Review | Original Score: B | Apr 14, 2003

| Original Score: 3/5 | Mar 29, 2003

Miller's film is bold and hearty, but it's also a ham-fisted wallop to the senses.

| Original Score: 2/5 | Mar 4, 2003

Unless you're the sort of person who loves the fiction found in The New Yorker and smaller literary magazines, you'd better avoid Personal Velocity.

| Feb 24, 2003

| Original Score: 2.5/4 | Feb 17, 2003

All three women deliver remarkable performances.

Full Review | Original Score: 8/10 | Jan 24, 2003

You can't really blame Miller for being in love with her own words, but this film is more like a slide show accompanied by an audio book than a movie.

| Original Score: C- | Jan 20, 2003

A trilogy of stories about women on the edge that features no less than three rotten dads.

Full Review | Jan 19, 2003

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