Really STUPID movie - written by a child - not possible for any one person to be as incompetent as Scarlet in one scene and a complete moron in the next - you get untied with a razor you smuggled I - and don’t IMMEDIATELY set your father free - that’s an hour I will never get back

Not a fantastic film, but it was entertaining. It improves as the film progresses and more action is included.

Lyrical, languid and dreamlike, Scarlet is also an absolute bore. Its heroine, Juliette, spends much of the movie in a lost and aimless search for purpose and meaning, not unlike the audience. Though engaging at first with its quiet, unhurried approach, that conceit soon becomes tiresome and frustrating as the viewer questions where, if anywhere, this story is going. In the end, the movie amounts to a meal that appears somewhat appetizing but in reality is nothing more than a whole lot of empty calories. It's only saving grace is that Scarlet at least lives up to its title as viewers will be seeing red wondering why they devoted so much time to a pretentious film that is all style and no substance.

Poetic. Beautiful. Breath of fresh air rising high above the mundane generic formula movies rife with the same predictable plot. Thank you for creating a little bit of heaven.

very good movie !!! you guys should watch it this fantastic movie !!

Another gem from the director of Martin Eden.

MOVIE REVIEW Scarlet (L'envol) – Genre: Drama, History, Romance Year Released: 2023 Runtime: 1h 43m Director(s): Pietro Marcello Writer(s): Alexander Grin (novel,) Pietro Marcello (screenplay,) Maurizio Braucci (screenplay,) Maud Ameline (screenplay,) Geneviève Brisac (collaboration) Cast: Raphaël Thiéry, Juliette Jouan, Noémie Lvovsky, Louis Garrel, Yolande Moreau, François Négret Language: French with English subtitles Where To Watch: opens July 7, 2023, in Chicago at The Music Box Theatre RAVING REVIEW: Unfurling a cinematic spectacle, Pietro Marcello orchestrates a filmic symphony with SCARLET, a historical narrative woven from the threads of Alexander Grin's timeless 1923 novella. This film is a fascinating amalgamation of genres, combining elements of fantasy, romance, and an epic journey of self-discovery within the chapters of global conflicts. All are served up in a way to make them relatable for the everyday viewer. The plot of SCARLET pivots around Raphaël, brought to life by Raphaël Thiéry, a soldier turned reluctant hero after a cold homecoming, and the sudden thrust of unforeseen responsibilities are at the heart of this cinematic journey. Among his new roles is that of father to Juliette, played by Juliette Jouan, a dreamer whose ambitions eclipse the small-town confines of their hamlet in Normandy. Raphaël's character arc reveals a man wrestling with the hardships of single parenthood and societal judgment. Marcello displays his artistry in SCARLET. He skillfully creates a surreal landscape that enthralls the viewer, fluctuating between stark and fantastical reality. Juliette's encounter with an enigmatic denizen of the woods signifies a life beyond the ordinary. Jean, a charismatic pilot played by Louis Garrel, introduces a spark of romance and sets Juliette on self-discovery. The portrayal of the profound bond between father and daughter serves as an emotional anchor, making this tale all the more engaging. Raphaël's relentless commitment to raising Juliette into a confident and independent woman is as touching as it is inspiring. Their story, entwined with the film's narrative thread, offers a brilliant study of personal growth and transformation. Marcello's adeptness at transforming Grin's prose into a cinematic resilience journey against adversity sets SCARLET apart from the usual fare. His unique cinematic view and knack for imbuing the film with symbolic nuances breathe life into the narrative. SCARLET stands as a testament to the art of juxtaposing the harshness of reality with the beauty of nature, delivering a cinematic journey that's magical and relatable. It mirrors the societal metamorphosis, underscoring the transformative power of introspection and narrative art. The film beautifully chronicles Juliette's defiance of societal norms and her journey toward self-determination, capturing the zeitgeist of the shifting gender dynamics of the time. Marco Graziaplena's immersive cinematography further enhances the visual narrative of SCARLET. His deft handling of light and nature, subtly reflecting the film's metaphysical undertones, adds layers to the storytelling. More than just a movie, SCARLET symbolizes a journey of personal growth. It celebrates Juliette's resilience and pursuit of beauty amidst sorrow and yearning. With SCARLET, Marcello's multifaceted filmmaking prowess comes to the fore. His ability to translate a revered novella into a visually compelling storyline attests to his command over the cinematic medium. Infused with historical and folklore motifs, the film serves a fresh look at the feminist revolution, making it a delightful watch for anyone who appreciates meaningful cinema. @kinolorber, @avventurosae, @juliettejouan_ For more reviews, please visit – https://linktr.ee/Overlyhonestmoviereviews for more info. Follow me on Letterboxd, Instagram, Twitter, and YouTube. Find my social media accounts on most platforms simply by searching Overly Honest Movie Reviews. I'm always happy to hear from my readers; please say hi or send me any questions about movies.

Understated & cute film.

"Scarlet (2022) mesmerizes with its gripping storyline, powerhouse performances, and stunning visuals. The film expertly blends action, suspense, and emotion, leaving audiences on the edge of their seats. A must-watch for fans of thrilling cinema."

Beautifully crafted and super-romantic follow-up to Marcello's Martin Eden.

"The first act of Scarlet was the best. It provided a deep study of Raphaël (played by Raphaël Thiéry), his past, and his personality while he's finding work in a small town. People were awful to him. They tell him things such as "You should have died in the war". After this first act, writer/director Pietro Marcello loses his sense of motion. What was a simple and elegant film about Raphaël lacks an interesting character as Marcello shifts the movie's focus to Juliette (played by Juliette Jouan)." Full review at wyattstakes.com

The greatest 01 hour: and 43 minutes ever!!!!!!!!!!!!!!!!!!

Kind of tepid. I wish there was more to squeeze.

It is a fairy tale, being at the same time a tragic drama. It is very enjoyable and endearing.