A Shamalyan Classic. This has all his tropes and weird touch all over it but here it just works better than other times because of the subject matter. Alien invasions are a surreal topic to begin with so it just fits better than say...plants. The music is really good and the best thing. It's really errie and almost like a horror movie more than anything. It's used really well but isn't that catchy on it's own. Everything else is pretty solid honestly. The acting here is when Shamalyan started to really develop that other world like delivery, look, and dialouge that his films for better or for worse are known for. It's very weird at times but because it's such a creepy flick at times it just adds rather than takes you out of things. It's also pretty well directed to boot. The alien deigns are kind of good I think mainly because we never get a really good look at them ever. So even though there basic there effective still. It goes between the personal backstory of the family and the aliens pretty well. Sometimes it can be a bit random with stuff but again it just works It comes off as weird and quirky which just makes it more unsettling. I think the key here is the plot is pretty grounded so it makes those moments acceptable. Even if this isn't how "Normal" people talk or act during something like this at times. It's weird because in his other stuff it really is laughably bad and just doesn't work at all. But here it just does though it still doesn't make sense at times the more you think about the weird moments. Anyone who is a fan of the director, any actors in this, thrillers, or Sci-Fi should check this out.

M. Night Shyamalan’s Signs is the cinematic equivalent of being stalked by a shadowy alien… only to find out he’s allergic to water and couldn't survive a kiddie pool. But hey, who needs logic when you've got mood lighting and Mel Gibson doing his best “concerned dad with a crisis of faith” face? Set on a Pennsylvania farm where crop circles appear with eerie precision (because aliens apparently double as graphic designers), Signs takes itself very seriously—and somehow makes tinfoil hats seem like a reasonable fashion choice. Joaquin Phoenix shines as the conspiracy-loving ex-baseball player who swings at everything like he's playing Wii Sports for his life. Shyamalan builds tension with admirable restraint—just don’t ask too many questions, like “Why would hyper-advanced extraterrestrials invade a planet that’s 70% death juice?” or “Why are they trapped in a pantry?” Spoilers: the real “signs” might be pointing to a rewrite. Still, credit where it’s due: it’s spooky, suspenseful, and delivers jump scares that’ll have you flinging your popcorn like a startled squirrel. And in true Shyamalan fashion, the twist will either leave you stunned or screaming at your 온라인카지노추천. Final Verdict: 3.5 out of 5 crop circles. Come for the suspense, stay for the swing-away theology. It truly is Close Encounters of the Corny Kind 🌽👽

One of the great movies of cinematic history. A unique journey through a multitude of genres. The underrated element of this movie that I failed to see on the reviews is the spiritual element. When people say it was a letdown at the end after a great amount of suspense had been spent, they missed the entire point. The flashbacks, the comedy, the gripping the emotional ending put this in my top five movies of all time.

For sci fi/horror fans of extraterrestrial life, an underrated movie. Compared to more recent movies, this is great story-telling on the big screen. Suspenseful, with quality dialogue and excellent acting, including the 2 child actors. Humor successfully mixed in throughout despite a tragic central theme critical to the religious aspect of the film. And if you were raised with even a bit of religion, it hits home even more. Recently saw it again for the first time in probably 20 years, and enjoyed it every bit as much. Uplifting. Swing away, Merrill.

Durante a minha adolescência, esse era um filme que eu não perdia por nada, quando passava na 온라인카지노추천. Sem dúvidas, "Sinais" teve papel direto e fundamental na construção da minha paixão por terror e ficção científica. E por que um filme tão contido, com um elenco tão minimalista, um orçamento abaixo de 80 milhões e menos de duas horas de duração, é um dos melhores — senão o melhor — filmes de invasão alienígena já feitos? Porque "Sinais" é, antes de tudo, um drama familiar, por ventura, ambientado durante uma invasão alienígena. Embora o filme deixe bem claro, através de pequenos vislumbres, que os fenômenos extraterrestres estão ocorrendo em escala global, o foco narrativo nunca se distancia do núcleo familiar do protagonista, ancorado por uma profundamente vunerável atuação de Mel Gibson. E através de sutis toques de narrativa visual, "Sinais" nos prende em uma tocante história sobre fé, luto e família, ao mesmo tempo em que nos leva em uma tensa e eletrizante montanha russa de terror e suspense.

Really well built suspense throughout, then ruined with a boring and nonsensical ending. Felt like everyone was phoning in their performances.

A Masterpiece of Cosmic Suspense! As an astronomical autodidact, I approach movies about extraterrestrial life with a mix of skepticism and fascination. Signs, directed by M. Night Shyamalan, may not be a hard sci-fi film, but it delivers one of the most gripping and intimate portrayals of a first-contact scenario ever put to screen. Instead of bombarding us with grandiose space battles or government conspiracies, the movie zeroes in on something far more terrifying—the realization that we are not alone, and that something is already here. Mel Gibson and Joaquin Phoenix deliver powerful performances as a family trying to make sense of increasingly unsettling events: strange crop circles, eerie noises, and fleeting glimpses of an intelligence beyond human comprehension. The brilliance of Signs lies in its restraint—Shyamalan understands that true fear comes from the unknown. The aliens are seen only in brief, chilling moments, forcing our imaginations to fill in the gaps. This mirrors the real-world uncertainty surrounding extraterrestrial life. With the vastness of the universe and the increasing discovery of exoplanets in habitable zones, the possibility of alien life is scientifically plausible. But what happens if they actually make contact? Would they be curious observers, indifferent travelers, or something far more threatening? One of the most thought-provoking aspects of the film is how it touches on the psychological and philosophical impact of such an encounter. While the scientific community often focuses on the how of extraterrestrial life, Signs delves into the human response. Fear, denial, faith, and survival instincts all collide as the characters face an unimaginable reality. While Signs may not satisfy those looking for a documentary-level breakdown of extraterrestrial intelligence, it excels in crafting an atmosphere of suspense and wonder. It’s a film that makes you look at the sky differently, wonder about the things we don’t yet understand, and ask—if they come, will we be ready? ⭐⭐⭐⭐⭐ Vincent Kleijn

The horror, sometimes comedy, that spun the alien genre on its head. Mel Gibson and Joaquin Phoenix really showed the performance of a lifetime as two very grounded characters with their own flaws and personalities, sometimes clashing together, but other times really complimenting one another’s performances. The aliens themselves are actually terrifiying, not knowing where they are or when they would show up, or what they were even on Earth for. The entire movie has this feel that the threat is looming over their heads the entire time, making you feel paranoid and driving the characters to the point of insanity. The whole movie was so well-done and the characters had a realistic feel to them. It was a very enjoyable film and I believe there should be more grounded horror movies such as this one.

Who would have thought that a sci-fi thriller horror film could evoke such suspense and emotion? Director M. Night Shyamalan knows how to play with the audience's mind. Instead of following a conventional pattern or revealing the obvious, he takes a different approach and often does the unexpected. For instance, rather than using high-tech equipment, he has Morgan rely on Bo's old baby monitor, which adds a touch of creativity and realism. Furthermore, in the climactic moments of the film, without giving away any spoilers, he takes the audience by surprise, creating fear without needing to show much on screen.

Amazing! Super creepy, slow burning, alien movie with a great build up, great writing, great soundtrack and amazing performances from Mel Gibson and Joaquin Phoenix. Cannot like this movie enough.

This film stands as an excellent example of M. Night Shyamalan at his creative peak. It’s a near-perfect lesson in balancing the characters' internal struggles with the external threats; a standard every horror film should strive for. By holding back on showing the monster until absolutely necessary, the tension is masterfully sustained, adding to the film’s overall impact. The themes of faith and belief are intricately woven throughout the narrative, culminating in a well-earned and satisfying character arc by the end. The writing and acting are stellar, and Shyamalan’s direction enhances every scene with deliberate camera movements and angles that heighten the emotional and narrative beats. A minor flaw lies in the flashbacks near the film's conclusion. While they serve to clarify the emotional climax, their placement feels slightly heavy-handed. A subtler approach, or introducing these moments earlier in the story, might have better respected the audience's ability to connect the dots. Additionally, some viewers might take issue with the handling of the aliens in the finale. However, it’s essential to understand that the film filters the global crisis through the perspective of the family, leaving much about the larger invasion deliberately vague. This choice underscores the movie’s thematic focus: letting go and embracing belief, rather than dissecting the mechanics of the invasion. Ultimately, this movie stands tall as both a classic alien invasion story and one of the finest works in Shyamalan’s filmography. Its horror elements are restrained enough to make it accessible to a wide audience, and its deeper themes offer rich substance for reflection. Highly recommended for anyone, even those not typically drawn to horror.

Such a classic and definitely a must see. Great movie with lots of suspense

An early work of M. Night Shyamalan, this film avoids excessive reliance on constant twists. Instead, it excels through a steady narrative pace, solid script design, and meticulous refinement, resulting in an outstanding viewing experience.

As much hate as Shyamalan gets, he is excellent at building suspense. This is one of his better films that proves it. Is the payoff as satisfying as it could have been? Not quite. But that doesn't necessarily undo the great work that comes before it.

The cinematography has an individual style and maintains foreboding. The CGI looks poorly integrated and dated. The sound design is subtle yet very effective. There are good and bad points about this movie. The fear is constant and menace feels very real. There are some stunning scare and spine-tingling moments. The use of seemingly irrelevant story arcs adds to the interest that is until they become relevant and then we just have a stupid twist that was not needed. The director cannot act and drags down the quality. It is the ending that really drags it down. It could have been handled with so much more subtlety and fear and without the need of a twist ending. Overall though the atmosphere and unnerving suspense is the real winner.

Rewatching M. Night Shyamalan's Signs brought back the same feelings I had the first time I saw it. The script is solid, the plot is engaging, and the acting, especially from Mel Gibson, is strong. Joaquin Phoenix adds a lot to the movie too, balancing emotional moments with some light humor. But even with all these positives, the movie still feels like it’s missing something—a spark that could’ve made it truly great. The story is told entirely from the family’s perspective, which creates a lot of suspense and intimacy. However, it also leaves the aliens feeling underdeveloped. We never learn much about their intentions, behavior, or even why they’re invading Earth. That final scene with the alien and the child is particularly intriguing. Some theories suggest it wasn’t attacking but might actually have been saving the boy. The alien didn’t defend itself when Joaquin Phoenix’s character hit it, which raises questions about its true motives. This ambiguity adds an interesting layer but also feels like a missed opportunity for the story to dig deeper. Overall, Signs is a well-made movie with strong themes of faith, family, and survival.

Signs is a lot of fun - a Sci-Fi movie that would be enjoyable for just about anyone.

Direção: Bom Atuação: Bom Roteiro: Bom Caracterização: Ok Soundtrack: Ok

To date, one of the only films to successfully marry Christian theodicy with an alien invasion. Scary as all hell, too.

Does signs have a few plot holes, yes. But still, I can't get over the excellent tension and drama that this movie provides and I think out of every horror movie I've seen, this one spooked me the most.