...a well-intentioned misfire that never quite takes off.

| Original Score: 2/4 | Apr 30, 2023

And here we thought there were countries with immunity to terrorism [Full Review in Spanish]

| Sep 19, 2020

The camera is dynamic, subjective, and participatory, and post-production special effects are used only to heighten the realism in otherwise impossible ways[.]

| Jul 1, 2020

It's a sweat-inducing, heart-sinking type of visceral, immersive experience like you seldom get in cinemas.

| Oct 17, 2019

Director Erik Poppe doesn't limit himself to narrating the horror, rather, he makes us experience it first-hand. [Full Review in Spanish]

| Original Score: 4/5 | Aug 9, 2019

This film must be seen. [Full review in Spanish]

| Original Score: 5/5 | Jul 23, 2019

The director manages to communicate what the survivors felt. [Full Review in Spanish]

| Jul 19, 2019

You have to take your hat off to Martin Otterbeck's cinematography and Andrea Berntzen's performance. [Full review in Spanish]

| Jul 19, 2019

[Director] Erik Poppe's approach to the catastrophe cannot be more respectful [or] necessary to call attention to the rise of the extreme right in Europe. [Full review in Spanish]

| Original Score: 4/5 | Jul 15, 2019

His photographic virtuosity, with the camera in hand, suggests the idea of ​​a complete testimonial involvement alongside the victims. [Full Review in Spanish]

| Jun 18, 2019

What would Claude Lanzmann have done? [Full review in Spanish]

| Original Score: 2/4 | Mar 6, 2019

An agile visual narrative, fierce and full of pure nerve. [Full Review in Spanish]

| Original Score: 3.5/5 | Mar 5, 2019

Only on a technical level is it an excellent film and the story is extremely well told. [Full Review in Spanish]

| Mar 5, 2019

An asphyxiating experience. [Full Review in Spanish]

| Original Score: 5/5 | Mar 4, 2019

A film that is able to get to places where journalism cannot. [Full Review in Spanish]

| Feb 28, 2019

Distressing and stomach-churning, U - July 22 rightfully lingers well after the credits have rolled.

| Original Score: 4/5 | Feb 26, 2019

There's no stronger argument against guns than the image of a child dead besides her phone - which rings with the calls of a mother that doesn't know her daughter can't answer anymore. [Full review in Portuguese]

| Original Score: 4/5 | Nov 27, 2018

It's so superbly done, you're unlikely ever to want to watch it again.

| Original Score: 4/5 | Oct 31, 2018

Emotionally more powerful than Paul Greengrass's wider-ranging July 22 but, arguably, even more pointless.

| Original Score: 3/5 | Oct 29, 2018

While visceral in its depiction of the horror that day, it is let down by trite dialogue and one frankly cringeworthy scene.

| Original Score: 3/5 | Oct 29, 2018