[A] ponderously "important" but emotionally hollow analysis of infidelity's cruel undertow.

| Feb 3, 2020

It's the relationship that doesn't involve sex between [Mark Ruffalo] and [Peter Krause] that's the real clincher. Their games of one-upmanship and bravado fizzle with a kinetic tension...

| Original Score: 4/5 | Apr 24, 2019

Movie about adultery for adults only.

| Original Score: 2/5 | Dec 29, 2010

| Original Score: 2/5 | Nov 20, 2008

Summons the exposed anatomy of adultery out of its awkward secrecy, casting an intriguing light that gently and intelligently intimates why infidelity can self-destruct one marriage, and repair another.

Full Review | May 15, 2007

| Original Score: 3/5 | Dec 6, 2005

For anyone who finds films about affairs boring, We Don't Live Here Anymorecould feel like being stuck in a bad marriage - for all the wrong reasons.

| Original Score: 2/5 | Jul 15, 2005

| Original Score: 2/5 | Jun 25, 2005

| Original Score: 7/10 | Jun 18, 2005

| Original Score: 4/5 | Jun 17, 2005

(...) Infrecuente en su incisiva exploracin de conflictos humanos.

| Original Score: 4/5 | Jun 5, 2005

| Original Score: 2.5/5 | Mar 5, 2005

... feels like one of the saddest songs you're ever heard.

Full Review | Original Score: A- | Jan 29, 2005

A modest film that is surprisingly effective in its directness and fascinating for its complex portrayals of marital distress in action.

Full Review | Original Score: 85/100 | Jan 20, 2005

Like the movie's title, there doesn't appear to be anybody home in this picture.

| Original Score: 5/10 | Dec 13, 2004

[Y]our expectations of climax, resolution, consolation fall away and you're quite simply present in every detail of every moment.

| Nov 19, 2004

So packed with serious themes that it's almost unbearable.

| Original Score: 3.5/5 | Nov 8, 2004

Keenly observed and laced with humor, Larry Gross' narrative has the kind of emotional power that derives from accumulation of detail and realistic dialogue.

| Original Score: B+ | Nov 6, 2004

Dubus, anticipating the dreaded Raymond Carver, is only concerned with the interiority of the characters. It's solipsism once removed; and in this film, it's that times four.

| Original Score: 1/4 | Nov 2, 2004

Occasionally difficult to watch, but always gripping, and full of hard, painful truths, this is adult film making at its very best.

| Original Score: 85/100 | Oct 24, 2004