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Matthew Sorrento

Tomatometer-approved critic
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http://www.filmthreat.com

Reviews

Movies 온라인카지노추천 Shows
Spider-Man: Across the Spider-Verse (2023) 95% 9.5/10 “It’s invigorating to see a broad entertainment reach the heights of cinema’s visual potential.” – Film International Jun 3, 2023 Full Review Pinball: The Man Who Saved the Game (2022) 95% “Just what the pinball tribe needs, and offers a whole lot for feel-good indie fans, too. ” – Film International Mar 29, 2023 Full Review Cocaine Bear (2023) 66% 2/10 “For the few happy stoners who loved Strange Wilderness....” – Film International Mar 7, 2023 Full Review 3.5/5 “An intriguing cinematic artifact and one hell of a camp treasure.” – Film Threat May 2, 2021 Full Review Toy Story 4 (2019) 97% 7.5/10 “Let's hope new renditions of Disney properties continue such correctives, and that genre revisionism will again be in service.” – Film International Sep 11, 2020 Full Review The Pale Door (2020) 45% 8/10 “Co-writer/director Aaron B. Koontz's perceptiveness for the Western genre makes The Pale Door into a worthy hybrid horror.” – Film International Sep 1, 2020 Full Review Lynch: A History (2019) “Presents Lynch's mode of 'removing' himself from the media as an act of defiance against the NFL's exploitation.” – Film International Oct 22, 2019 Full Review Marlina the Murderer in Four Acts (2017) 98% 10/10 “"The film stands out in its treatment an active female protagonist not immediately supplanting male power, but slowly struggling to assume it."” – Film International May 29, 2019 Full Review Us (2019) 93% 9/10 “The film is an economic nightmare machine, once it gets going. Serving both worlds of fans, the terrors are eerie and bone-crunching... in the same brisk rhythm as Get Out.” – Film International Mar 22, 2019 Full Review We Are Thankful (Siyabonga) (2019) “There is a quiet power and tremendous dignity on display throughout We Are Thankful. This, along with Siyabonga's ingratiating "performance," is what makes Magor's film is so magical.” – Film International Feb 4, 2019 Full Review Brain Damage (1988) 69% 10/10 “Traditional readings of the film see it as a commentary on the damning nature of chemical dependency. While the theme's presence is undeniable, the film also depicts the freeing and often empowering nature of stimulants.” – Film International Dec 24, 2017 Full Review Homicide (1991) 88% “As Mamet writes, so he directs -- his shots get to the point, usually one we don't forget.” – Film Threat Dec 13, 2017 Full Review Trumbo (2015) 75% 9/10 “Roach is wise to highlight Trumbo's wit and bemused lovability while taking the lashes of persecution.” – Film International Nov 26, 2015 Full Review Elena and Her Men (1956) 71% 8/10 “[R}eminds us of Renoir's complexity in even his "simpler" works.” – Senses of Cinema Jun 16, 2015 Full Review Always for Pleasure (1978) 10/10 “With the release of the Always for Pleasure box set, Criterion does a major service to the world of documentary film.” – Film International Jun 4, 2015 Full Review Zombeavers (2014) 72% 7/10 “A consistently funny spoof.” – Film International Apr 8, 2015 Full Review Queen and Country (2014) 76% 10/10 “Boorman returns to the classical style of the movies he enjoyed at a young age, again showing his flexibility and commitment to finding a story's ideal tone.” – Film International Feb 28, 2015 Full Review What We Do in the Shadows (2014) 96% 8/10 “Like the mock-doc tone, the vampire parody feels worn out, though the production shows its affection for the tradition and insight about the recent genre.” – Film International Feb 28, 2015 Full Review The Cult of JT LeRoy (2014) 100% 9/10 “The story of JT LeRoy, a wunderkind writer who proved to be a hoax persona fashioned by Laura Albert, capitalized on [America's] need to weep and, simultaneously, encapsulated the trend.” – Film International Dec 22, 2014 Full Review Nightcrawler (2014) 95% 10/10 “[F]eaturing one who lurks at night to gather crime footage for broadcast, the film parodies the obsession (with taking images) and notes it to be a tragedy of our times.” – Film International Nov 21, 2014 Full Review Red River (1948) 100% 10/10 “Wayne is an offbeat presence in River. His longish hair and loose gait - the latter usually indicating a relaxed sense of power - now imply a man out of his place, and a kind of restlessness.” – Film International Sep 20, 2014 Full Review Boyhood (2014) 97% 10/10 “Linklater uses life itself to his advantage by finding a clever way to capture its scope.” – Film International Jul 25, 2014 Full Review The Double (2013) 83% 4/10 “An oddity, for sure: with established performers in a neophyte work, it's odd for all the wrong reasons.” – Film International Jun 19, 2014 Full Review The Life and Crimes of Doris Payne (2013) 65% 8/10 “Beginning as a rather conventional documentary ... [the film] soon finds a matter-of-fact style that nicely reflects its subject.” – Film International Jun 19, 2014 Full Review The Hidden Fortress (1958) 96% 9/10 “Mifune shines and invigorates what remains secondary Kurosawa (less rewarding than Throne), but a solid primal adventure in its own right.” – Film International Apr 10, 2014 Full Review
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