I was not shocked, I was not moved, and by and large I was not impressed.

| Original Score: C- | Sep 7, 2022

What we have here is a hard-core and sometimes condomed "Thelma and Louise" with a good dose of Russ Meyer's "Faster Pussycat Kill Kill" thrown in.

| Apr 26, 2014

The mix of real sex and fake-looking violence in this 2000 French feature is curiously unprovocative.

| Feb 8, 2010

| Original Score: 1.5/5 | Dec 6, 2005

Full Review | Original Score: 3.5/4 | May 14, 2003

Coarse, rough-hewn and rather unsophisticated, cinematically speaking, Baise Moi nonetheless succeeds largely on its gritty realism. It's a cinematic jab to the solar plexis.

| Original Score: C+ | Feb 17, 2003

| Original Score: 1.5/5 | Dec 8, 2002

| Original Score: 3/5 | Oct 30, 2002

An adolescent little poseur of a movie.

Full Review | Original Score: 1/4 | Jun 17, 2002

Only Baise-moi's pedagogy is well defined and strident.

| Original Score: 2.5/4 | Jun 7, 2002

Baise Moi is so busy showing us penises, vaginas, breasts, penetration, rape, murder and on and on that it forgets to make its points.

| May 31, 2002

the bloody film rapes ... us raw, but the uninitiated may last through the 70 minutes before realizing it.

| Original Score: 0.5/5 | May 3, 2002

| Original Score: 2/5 | Apr 22, 2002

| Original Score: 2.5/4 | Mar 19, 2002

Baise-Moi feels so resoundingly stunning since we're so used to getting our feminine empowerment in movies fed to us in compartmentalized bits.

| Original Score: 4/4 | Mar 5, 2002

Baise-Moi is like a cheapie, vintage American exploitation movie, only one that goes so far beyond the bounds of taste that its affrontiveness becomes in large part what the film is about.

Full Review | Original Score: C | Feb 24, 2002

Full Review | Original Score: 1.5/5 | Dec 4, 2001

Too ideologically earnest for the porn crowd and too hard-core for serious audiences.

Full Review | Original Score: 2.5/4 | Nov 30, 2001

Sex and violence. If you can't get enough of them, Baise-moi should cure you of those cravings.

Full Review | Nov 3, 2001

The movie's only value is in unwittingly defining more clearly how played out the whole transgressing-boundaries- as-art thing has become.

| Oct 19, 2001