Michael Mann's portrait of the egotistical race car pioneer takes a fascinating approach to a complex life story.

| Original Score: 4/5 | Sep 18, 2024

Mann’s film is not a car crash by any means, but the rousing romp it could have been has ended up more of a minor ‘inchident’ within the grand history of the Ferrari legacy

| Original Score: 2.5/5 | Jul 4, 2024

An altogether infertile American studio film, Michael Mann’s Ferrari neglects the creativity and bravura in the racing that any good racing movie should have and substitutes stereotypical housewife and mistress roles for the film’s two women.

| Jul 4, 2024

Ferrari is an inconsistent film with a slow start before finally catching enough speed to cross the finish line.

| Original Score: 3/5 | Jul 3, 2024

Cruz makes an indelible impact, investing Laura with a sorrowful anger that feels both earned and true.

| Original Score: 3/5 | Jun 14, 2024

If anything, Mann presents Ferrari as a Great Man Biopic that also doubles as an operatic tragedy.

| Jun 11, 2024

Great performances from Adam Driver and Penelope Cruz notwithstanding, Ferrari is a hard movie to warm up to… because its subject is a hard man to like.

| Original Score: B- | Jun 7, 2024

As vividly as it portrays the harm done by Ferrari’s arrogance and irresponsibility, I still think that audiences will come away even more enamored of the brand, and that some will likely come away thinking of Enzo as some kind of hero.

| Jun 6, 2024

Ferrari is a mixed bag, a smarter than average biopic with great acting that still feels incomplete.

| May 29, 2024

It’s great to see the various manifestations of grief on the screen...

| Apr 17, 2024

The race scenes are charged but the highlight is Cruz’s grieving matriarch: it’s a titanic performance.

| Apr 4, 2024

Ferrari is intelligent, mature, and slickly made commercial cinema.

| Original Score: 8/10 | Apr 2, 2024

Ferrari showcases stunning visuals, and the car race sequences are expertly choreographed, lending an authentic feel to the film.

| Original Score: 3/5 | Mar 29, 2024

Ferrari bridges Mann world and something more closely resembling ours. He turns brand-name vibes back into a man.

| Original Score: A- | Mar 27, 2024

we never get any sense of who Enzo Ferrari is or what makes him tick beyond his drive to succeed, which conflicts with the film’s apparent desire to emphasize his interpersonal travails and how those intersected with his business ambitions.

| Original Score: 2.5/4 | Mar 27, 2024

Michael Mann's Cinema is populated by men obsessed with their work, whether legal or not; thus, it´s easy to understand why he would be attracted to Enzo Ferrari's story. [Full review in Portuguese]

| Original Score: 4/5 | Mar 15, 2024

Ferrari’s “failure” as biography is its rousing success as poetry: the rhythm of irreconcilable dichotomies, the prison of masculinity, the fiery synthesis of metal and religion.

| Original Score: A | Mar 14, 2024

In Ferrari, Mann’s fixation on death, on the cemetery and the tomb, positions this melodrama as a consecration and summation of his life’s work.

| Mar 8, 2024

It is a sumptuous movie powered by tremendous visuals and performances that occasionally aggressively pushes audiences away, almost daring them to forget all the good that has come before.

| Original Score: 3.5/5 | Mar 6, 2024

Adam Driver surprises in a film that shows a time when motor racing was a game of life or death. [Full review in Spanish]

| Original Score: 3.5/5 | Feb 26, 2024