By breaking the very rules that put this auteur on the map, Vinterberg seems to be redefining the experimental film form. Well worth catching.

| Original Score: 4/5 | Apr 17, 2019

In Vinterberg's hands, the unusual become usual and It's All About Love lulls you into trusting everything it shows.

| Dec 20, 2017

| Original Score: D+ | Sep 7, 2011

| Original Score: 2/5 | Apr 1, 2006

| Original Score: 1/5 | Dec 6, 2005

Full Review | Original Score: 2/5 | Jul 26, 2005

It's like Kubrick with a talent-ectomy.

Full Review | Nov 8, 2004

Viewers who feel like they're not getting the point of the story shouldn't feel bad because the actors also appear befuddled.

Full Review | Nov 4, 2004

A chilly romantic thriller that certainly doesn't make the point suggested by its title.

Full Review | Original Score: 1/5 | Nov 4, 2004

Quite simply, the film is a bore. A plodding, uninteresting, incoherent mess.

| Original Score: D | Oct 30, 2004

while watching it you might be hit with the urge to grab the Danish writer-director by the collar and shout 'No, it's all about story!'

Full Review | Original Score: 1.5/4 | Oct 29, 2004

Doesn't add up to much.

Full Review | Original Score: 2.5/4 | Oct 29, 2004

A stew of silliness that's so ridiculous it's almost entertaining. Almost.

| Original Score: 2.5/5 | Oct 29, 2004

There's something inherently frustrating about the illogical plot and the breezy vagueness of its message, which seems to be linking the global freezing of a near-future world with the coldness in people's hearts.

Full Review | Original Score: 2.5/4 | Oct 29, 2004

Surely, Vinterberg was high on some inert gas when he embarked on it.

Full Review | Original Score: 1.5/4 | Oct 29, 2004

It's too bad the plot's pretty preposterous and the moral-heavy mush is just too much to stomach.

| Original Score: C | Oct 29, 2004

Thomas Vinterberg, one of the founders of Dogme school of filmmaking, has invented a fascinating futuristic world that is ultimately more interesting than the central plot.

| Original Score: 3/5 | Oct 28, 2004

The Danish director Thomas Vinterberg's tries and fails to spin a quasi-futuristic romance into a political allegory.

| Original Score: 1.5/5 | Oct 28, 2004

Though I like his ambition, his execution is overstuffed, unoriginal and often downright incomprehensible.

Full Review | Oct 28, 2004

The deadpan weirdness occasionally slips into daftness, but with its brittle rhythms and puzzling ruptures, it's the sort of movie that could haunt your dreams for weeks.

Full Review | Oct 27, 2004