A movie made for the ADHD generation? With all the excess style, I liked Like Me much more than I thought I would. Its textural, rough around the edges aesthetics really works for its there/not there theme. One of the year's best.

| Feb 13, 2021

Offers a handful of visually interesting sequences but scrolling through Tumblr might be a more effective use of your time.

| Original Score: 2/5 | Feb 6, 2021

The unrelentingly serious tone fails to help proceedings, even though the film's go-for-broke style remains strangely alluring.

| Original Score: 2/5 | Aug 3, 2020

A visually arresting social commentary about a future we're already living in that, for better or worse, is something we need to accept.

| Original Score: 6/10 | Nov 29, 2018

While it may do a better job at depicting the nihilistic depravity of living through social media at the detriment of "real life" than Ingrid Goes West, it fails to capture the psychological prison this artificial life creates beyond its surface chaos.

| Original Score: C | Feb 21, 2018

This offbeat and ultraviolent crime drama lacks the narrative dexterity to match its visual ambition.

| Feb 2, 2018

For a movie featuring so much vomiting, "Like Me" is a visual feast.

| Original Score: 3/5 | Feb 1, 2018

Robert Mockler's directorial debut is a New Media scorcher.

| Jan 26, 2018

Gorgeous and gross in equal measure, propelled by the sense that anything could happen, Like Me is a visual feast.

| Original Score: 7.9/10 | Jan 26, 2018

The filmmaker captures the nasty world of viral outrage better than most who attempt it, too, even if he seems to have no idea what to say about it.

| Jan 26, 2018

At times nausea inducing, Like Me, is not for the faint of eyes and stomachs. But, like watching a car crash, it's hard to look away from the film's psychedelic, tilt-a-whirl visuals.

| Original Score: 3/5 | Jan 26, 2018

More like experimental cinema than a mainstream movie, this dark, unsettling, somewhat plotless film takes an unusual, colorful, and arty look at millennial narcissism and loneliness.

| Original Score: 4/5 | Jan 26, 2018

Or perhaps alternately titled, Dislike Me. A psycho-socially driven horror movie about millennials gone mad, taken over by a gadget generation cyberspace psychosis. And at a time right now when idea driven horror like Get Out, may be making a comeback .

| Jan 26, 2018

Rises above the pack in a few ways - ranging from its ambitious style to the out-of-whack humanity of its two lead performances.

| Jan 26, 2018

Both impish and melancholy, with Timlin and Fessenden handily shifting the molecules in the air each time they share a scene, "Like Me" has an eccentric bravura to it.

| Jan 25, 2018

The film's pulse comes from its rapid-fire montages of familiar images.

| Jan 25, 2018

[Director Robert] Mockler's and Jessalyn Abbott's artfully chaotic editing style, full of ultra-slow dissolves, double exposures and scrubbed footage playing forward and backward in time like the image is possessed, elevates Like Me to video art.

| Jan 25, 2018

It's not for everyone, but what's disappointing about the movie is that, at times, it's only really for Mockler.

| Original Score: C | Jan 25, 2018

"Like Me" provides a reminder that bile and excrement are not substitutes for ideas.

| Jan 25, 2018

Director Robert Mockler's technical ambitions are bold, but as a cautionary tale about real-world desensitization in a social-media age, it lacks any fresh insights.

| Original Score: 2/4 | Jan 25, 2018