This is a worthwhile, twisty little thriller with some genuinely smart ideas within.

| Original Score: 3/5 | Sep 18, 2024

An act of supernatural vengeance and a whoppingly crude metaphor for the western fashion industry’s shameful history of exploiting southeast Asian labour markets. If you insist on a message, it should be buried deeper than this.

| Original Score: 2/5 | Dec 9, 2022

I was once again impressed by Finnegan, and I suspect not for the last time.

| Original Score: 4/5 | Dec 9, 2022

Actress Eva Green is always a good indicator you’re in for something stylishly weird.

| Dec 9, 2022

Finnegan and Shanley have artificially hefted more guilt onto poor Christine’s shoulders... Still, the use of deep-focus Persona-style shots of two faces aligned in uncomfortable proximity is striking, as are the eerie creaks and cracks

| Original Score: 3/5 | Dec 8, 2022

Director Lorcan Finnegan, working with a script by Garret Shanley, creates some unsettling moments and there are sharp prickles of commentary about our attitude to fast fashion and the workers who make our clothes.

| Original Score: 3/5 | Dec 6, 2022

A dreadful psychological/supernatural horror pic about a fashion designer who can’t get her mind around a recent trauma.

| Original Score: 2/4 | Nov 4, 2022

Even in a movie haunted by death, you need more signs of life.

| Nov 3, 2022

Finnegan juggles the script’s disparate elements with some aplomb, making for a sleek whole that’s entertaining if not particularly depthed or plausible.

| Nov 3, 2022

What would have made a great Tales From the Crypt episode becomes overlong even at 96 minutes—Lost-style flashbacks add depth but not revelation, as they merely make graphic what was already implicit.

| Nov 2, 2022