Pascal Plante’s film is violent, sadistic, and gritty without showing a hint of violence. It leaves one feeling dirty, ashamed, and slightly baffled at the connivance in the heinous, internet-exploited crimes.

| Original Score: A+ | Mar 6, 2025

...designed to be a cult film, but in a way that invites you to think deeply about all its implications, its ideas, its decisions. [Full review in Spanish]

| Original Score: 4/5 | Feb 11, 2025

The oblique courtroom thriller offers chilling reflections on the rise of obsessive true crime fan culture.

| Feb 3, 2025

Cuando empieza una película, generalmente sabes qué quiere conseguir su protagonista y qué se lo impide. En este caso no lo sabes y la tensión de esa incertidumbre es fascinante porque no sabes sabes exactamente qué hace ahí y por qué. Perturbadora.

| Jan 28, 2025

Red Rooms shows a haunting portrayal of what happens when a stranger's curiosity about a serial killer turns into an obsession. Juliette Gariépy gives a riveting performance as a fashion model who inserts herself into a murder trial in more ways than one.

| Jan 26, 2025

The final act of this film is harrowing. There are several sequences — elegant, restrained, upsetting bits where Kelly-Anne finally reveals herself — that are among the most disturbing I’ve seen on film in quite a while.

| Jan 17, 2025

Very little that we see in the film is particularly implausible, and such is the source of our chills. That, and Plante’s brilliantly calculated visual style washed over with a color palette that makes gray look extra gray.

| Jan 16, 2025

Plante delivers a harrowing portrait of our world, where truth isn’t just untenable, it’s irrelevant.

| Jan 14, 2025

[Juliette] Gariépy refuses any easy reads on her character, and that’s a stunning testament to the degree of difficulty in the performance. It’s a chilling slam dunk.

| Jan 10, 2025

Red Rooms might not show the audience Nietzsche’s abyss, but it does have others stare into it, with us glimpsing its reflection in their pupils.

| Jan 9, 2025

... the return on icky investment just isn’t there.

| Original Score: 2.5/4 | Jan 9, 2025

Both a cool, cerebral thriller that establishes a suspenseful vibe early on and maintains it to the end without resorting to cheap tricks, and an astutely observed study of a relationship that develops between two utterly different women.

| Original Score: B+ | Jan 3, 2025

Gariépy and Babin ensure their performances keep butts in seats, but filmmaker Pascal Plante isn’t reinventing an internet-horror wheel that’s been spinning since movies like The Den.

| Original Score: 3/5 | Dec 24, 2024

Dominique Plante's terrific score elevates the already oppressive atmosphere, with the use of music in one key courtroom scene especially spine-tingling.

| Original Score: 5/5 | Dec 21, 2024

Extremely well made and extremely well acted. Definitely worth a watch

| Dec 20, 2024

Juliette Gariépy is magnetic as an unknowable protagonist in a film that warns about obsessing over true crime. By refusing to provide catharsis and closure, however, director Plante doesn't pass judgement in this cold, clinical thriller

| Original Score: 4.5/5 | Dec 17, 2024

Can a moral person survive being Extremely Online? That is the dreadful question we agonise over in this brilliant, absolutely diabolical thriller.

| Original Score: 5/5 | Nov 22, 2024

RED ROOMS is one of the most disturbing, yet thought-provoking and bold serial killer films I've seen in quite some time.

| Original Score: A+ | Nov 4, 2024

Though the movie isn’t exploring material all that different from a prime-time police procedural, it is engaging with the horror — and the rot that it represents — to an extent that 온라인카지노추천 simply wouldn’t bother.

| Oct 30, 2024

Along with Gariépy’s impeccable performance, “Red Rooms” spins up unspeakable horrors we see only in our mind’s eye.

| Original Score: 3/4 | Oct 14, 2024