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She Will Reviews
It might not chill you to the core, but it’s ripe and entertaining.
| Original Score: 3/5 | Aug 8, 2022
Marries the spiralling, self-reflexive narrative of Shirley Jackson’s novel The Haunting of Hill House with echoes of the off-kilter visual sensibility of the 1962 cult oddity Carnival of Souls.
| Original Score: 4/5 | Jul 24, 2022
This is a very powerful film -- not so much good as disquieting and effective.
| Jul 22, 2022
No wonder it’s executive produced by Suspiria director Dario Argento. It weaves, arachnid-like, in the same dreamy patterns as his abundant body of work.
| Original Score: 3/5 | Jul 22, 2022
She Will is somewhere between a feminist revenge horror and an arthouse psychodrama. Don’t expect too much in the way of scores or gore but it’s rum, stylish and sometimes strikingly original.
| Original Score: 4/5 | Jul 22, 2022
If the script can be spotty, the movie excels when the focus falls on Krige and her imperious Veronica...
| Original Score: 3/5 | Jul 22, 2022
You won’t remember that title. Krige and Eberhardt’s glowing eyes, by contrast, are impossible to forget.
| Original Score: 4/5 | Jul 22, 2022
“She Will” is a fantastic debut with one incredible lead performance.
| Original Score: 3/4 | Jul 21, 2022
You wish the film had fixed itself more firmly to Krige’s withering aura rather than roaming forth to do its witchy-montage business under cloak of night, but only because her performance is so mesmerising.
| Original Score: 3/5 | Jul 21, 2022
It perhaps has too much on its mind, but Charlotte Colbert’s debut works as an imaginative and unsettling calling card.
| Original Score: 4/5 | Jul 21, 2022
Krige is terrific and there should certainly be more films about angry post-menopausal women tapping into their dark side.
| Original Score: 3/5 | Jul 19, 2022
She Will, from another first-timer, the Franco-British artist Charlotte Colbert, doesn’t quite reach the same level as [Get Out or The Witch], but it’s stylish and chilling, with a lively feminist undercurrent.
| Jul 15, 2022
Krige is the saving grace: She’s always fully present in the moment, her sharp-cheek-boned, full-lipped face a canvas of competing emotions that she’s incapable of fully repressing. What a performance!
| Original Score: 3/5 | Jul 15, 2022
It’s sort of a supernatural thriller; but it’s more of a wry and strikingly poetic vision of feminist retribution.
| Jul 15, 2022
It has its creepy moments, particularly in the visual collages and Clint Mansell's unnerving score, but it's more thought-provoking than scary.
| Original Score: 3/4 | Jul 15, 2022
[I]t’s the film’s mercurial nature, its hazy dreamlike logic, that makes it so extraordinary.
| Jul 14, 2022
What’s notable here is Colbert’s restraint, so much so that I hesitate to describe “She Will,” which is virtually bloodless, as a horror movie.
| Jul 14, 2022
For all the twists and turns and questions and complications of She Will, there’s something oddly undone -- too many answers avoided, too many possibilities unanswered, all topped with a too-neat ending that deviates wildly from the film’s tone.
| Original Score: C+ | Jul 13, 2022
She Will can’t decide if its horror or comedy, nor does it strike the balance that would harmoniously hybridize them.
| Original Score: 2/4 | Jul 11, 2022
Between the haunting score and Colbert's effortless style, She Will eschews a conventional narrative and instead casts an atmospheric spell through tactile, dreamy visuals.
| Original Score: 3.5/5 | Sep 27, 2021