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Aaron Hillis

Aaron Hillis's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Never Here (2017) 80% “There's more substance than pastiche in performance artist and documentarian Camille Thoman's ambitious narrative feature debut.” – Village Voice Oct 18, 2017 Full Review Hong Kong Trilogy (2015) 60% “Offers modest pleasures yet never quite commits to being contemplative poetry or probing journalism.” – Village Voice Sep 20, 2017 Full Review Alina (2016) “A hokey female-driven drama that liberally fails the Bechdel test.” – Village Voice Sep 13, 2017 Full Review The Future Perfect (2016) 100% “Each neorealist story thread doubles as a case study for how our ever-shrinking world redefines culture and communication, but played as a downbeat comedy of misunderstandings in which Xiaobin mimics Buster Keaton's expressionless disenchantment.” – Village Voice Sep 13, 2017 Full Review Rebel in the Rye (2017) 29% “This thanklessly watchable film ... may not warrant Holden Caulfield's trademark judgment of phoniness - but, like any clichéd writing, deserves rejection.” – Village Voice Sep 5, 2017 Full Review The Teacher (2016) 91% “A little power corrupts absolutely in this caustically clever Slovak-language dramedy from the prolific Czech director-writer team of Jan Hrebejk and Petr Jarchovsky” – Village Voice Aug 30, 2017 Full Review Machines (2016) 93% “Machines proves both uncompromising and unforgettable.” – Village Voice Aug 8, 2017 Full Review Endless Poetry (2016) 94% “Loopy, irreverent, and more intensely personal than anything its mystic creator has invented before.” – Village Voice Jul 17, 2017 Full Review Goodnight Brooklyn: The Story of Death by Audio (2016) 57% “The footage relies more on idealistic testimonies than a cinematic experience showcasing DBA's vitality; why not let those blistering, immersive concert performances play longer than a chorus?” – Village Voice Nov 30, 2016 Full Review Lo and Behold, Reveries of the Connected World (2016) 92% “Herzog smartly takes a broad, bird's-eye perspective of our early techno-evolution.” – Village Voice Aug 17, 2016 Full Review Elevator to the Gallows (1958) 93% “The film's alchemic blend of Bressonian rigor, Hitchcockian suspense, and overall proto-Nouvelle Vague cool more than compensates for its straightforward plotting ...” – Village Voice Aug 2, 2016 Full Review SPL 2: A Time for Consequences (2015) 100% “Dizzily entertaining when the knives, bullets, and feet are flying, and sometimes painfully melodramatic during the interim exposition.” – Village Voice May 11, 2016 Full Review An Eye for Beauty (2014) 20% “[A] feeble soap opera that's as stilted and unsexy as an adolescent dry hump.” – Village Voice Apr 14, 2016 Full Review Pee-wee's Big Holiday (2016) 85% “I literally cried tears of joy.” – Village Voice Mar 18, 2016 Full Review Remember (2015) 68% “Atom Egoyan's atypically linear revenge fantasy disingenuously evokes the ghastly legacy of Auschwitz as an artsploitation thriller.” – Village Voice Mar 8, 2016 Full Review Songs My Brothers Taught Me (2015) 94% “The performances are undeniably authentic, the cinematography could make Terrence Malick stand to give a slow clap, and sometimes a sensitive mood and evocative milieu are enough to sustain when there's barely a plot.” – Village Voice Mar 1, 2016 Full Review Backtrack (2015) 28% “Glossily shot yet soullessly schematic ...” – Village Voice Feb 23, 2016 Full Review Jack of the Red Hearts (2015) 58% “It's rare that a drama shows such specificity with respect to the experience of coping with autism, and that sensitivity goes a long way.” – Village Voice Feb 23, 2016 Full Review The Girl in the Book (2015) 93% “So unpretentious that it could be accused of lacking style or vigor, writer-director Marya Cohn's maturely conceived, Kickstarter-budgeted debut swaps genders on the more traditionally male-driven story of a stunted coming-of-age.” – Village Voice Dec 8, 2015 Full Review American Hero (2015) 30% “The filmmakers blend tones like a child mixing fountain drinks into one unidentifiable flavor.” – Village Voice Dec 8, 2015 Full Review Johnny Guitar (1954) 94% “A slyly radical psychosexual oddity busting through genre conventions, beyond its Old West Arizona setting ...” – Village Voice Nov 10, 2015 Full Review Coming Home (2014) “The cinematography is far too slick, and Diddy's title song is overplayed, but most of the revelations and one climactic confrontation cut to the bone.” – Village Voice Oct 27, 2015 Full Review Crocodile Gennadiy (2015) 98% “The best superhero vigilante movie of the year.” – Village Voice Oct 9, 2015 Full Review (T)ERROR (2015) 91% “Watching a spy sit on the couch waiting for text messages from higher-ups may not sound as compelling as a le Carr novel, but it's a necessary build to a pulse-pounding third act that reveals how lives are destroyed by half-truths and hearsay.” – Village Voice Sep 30, 2015 Full Review Youth (2013) 100% “Elegantly shot to emphasize the suffocating atmosphere of its believably frightening scenario, the film speaks clearly about generational expectations and the disintegration of the middle class, even when the brothers communicate without using words.” – Village Voice Aug 18, 2015 Full Review
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