Rasheed Newson
Rasheed Newson's reviews do not count toward the Tomatometer®. This is not a Tomatometer-approved critic, and this critic's reviews are not published on a Tomatometer-approved publication.
40 Days and 40 Nights (2002)
40%
“40 Days and 40 Nights exceeds expectations by being a funny film that endorses free choice for guys and gals alike.” –
Flak Magazine
Jun 9, 2018
Full Review
Training Day (2001)
74%
“The film's cynical lessons are dated... Yet by keeping its themes elementary, Training Day allows the audience to indulge in its other enticing elements.” –
Flak Magazine
Jun 8, 2018
Full Review
Spy Game (2001)
64%
“Spy Game's tempo mirrors a storm - lightning followed rhythmically by thunder, with danger as constant as heavy rain.” –
Flak Magazine
Jun 8, 2018
Full Review
Slackers (2002)
10%
“Slackers is a hodgepodge of tasteless episodes all clamoring for more attention than they are worth.” –
Flak Magazine
Jun 8, 2018
Full Review
Road to Perdition (2002)
82%
“The story is riveting and gracefully acted from start to stop, but what gives it a higher meaning is how it handles the reverberations of violence on the victims and the perpetrators.” –
Flak Magazine
Jun 8, 2018
Full Review
Ocean's Eleven (2001)
83%
“The star power, the story line and Soderbergh's craftsmanship all come together in a thug's tale wrapped fashionably in panache, and Ocean's Eleven is good enough not to sweat inside its silk suit.” –
Flak Magazine
Jun 7, 2018
Full Review
Novocaine (2001)
38%
“While a clever bad woman and a slow good man often make for a fine movie, Novocaine is too gutless to deliver on the potential of a powder keg coupling.” –
Flak Magazine
Jun 7, 2018
Full Review
Not Another Teen Movie (2001)
32%
“Not Another Teen Movie delivers nothing new. All the memorable bits from other teen movies are present and accounted for, but the moments feel terribly pathetic because they weren't all that special the first time around.” –
Flak Magazine
Jun 6, 2018
Full Review
The Mothman Prophecies (2002)
52%
“The Mothman Prophecies is an out-of-pace, insecure film competing in a genre that demands excellent timing and confidence. It exists without rhyme or reason.” –
Flak Magazine
Jun 5, 2018
Full Review
The Majestic (2001)
42%
“The Majestic is unapologetically endearing... The film has no explosive tricks or blunt trauma to the viewer. Only the sturdy mechanics and magic of a wholesome movie.” –
Flak Magazine
Jun 5, 2018
Full Review
The Last Castle (2001)
52%
“Grows immensely satisfying as it develops. Thumb-twiddling converts into crackling anticipation.” –
Flak Magazine
Jun 5, 2018
Full Review
High Crimes (2002)
31%
“A forced, military-courtroom melodrama that cruelly wastes talent and time.” –
Flak Magazine
Jun 4, 2018
Full Review
Heist (2001)
67%
“There are lines in Heist that will float into your mind days after you've seen the film and amuse you anew.” –
Flak Magazine
Jun 4, 2018
Full Review
Glitter (2001)
6%
“It gleefully skips along without making a lick of sense. Be careful not to ingest what this poorly wrapped rags-to-riches tale is peddling.” –
Flak Magazine
Jun 4, 2018
Full Review
Domestic Disturbance (2001)
23%
“Domestic Disturbance is forgettable because it forgets to give the audience any reason to invest in its protagonists, heroes or victims.” –
Flak Magazine
Jun 1, 2018
Full Review
Death to Smoochy (2002)
42%
“You pity the wretched characters and their sorry little lives.” –
Flak Magazine
Jun 1, 2018
Full Review
Ali (2001)
69%
“Layered, rich and charming, the film occasionally crackles like the night sky during a thunderstorm.” –
Flak Magazine
May 29, 2018
Full Review
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